4-Track Stereo | 39 Titles
The Swarm (1978)
Directed by | Irwin Allen | Cinematography by | Fred J. Koenekamp | Editing by | Harold F. Kress
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Airplane! (1980)
Directed by | Jim Abrahams, David Zucker, Jerry Zucker | Cinematography by | Joseph F. Biroc | Editing by | Patrick Kennedy
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Girl in the Red Velvet Swing (1955)
Capricorn One (1977)
Directed by | Peter Hyams | Cinematography by | Bill Butler | Editing by | James Mitchell
Cameras | Panavision Cameras
The Eagle Has Landed (1976)
Directed by | John Sturges | Cinematography by | Anthony B. Richmond | Editing by | Anne V. Coates
Cameras | Panavision Cameras
There’s No Business Like Show Business (1954)
Force 10 from Navarone (1978)
Directed by | Guy Hamilton | Cinematography by | Christopher Challis | Editing by | Raymond Poulton
Cameras | Panavision Cameras
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Nine to Five (1980)
Directed by | Colin Higgins | Cinematography by | Reynaldo Villalobos | Editing by | Pembroke J. Herring
Cameras | Panavision Cameras
Rollerball (1975)
Directed by | Norman Jewison | Cinematography by | Douglas Slocombe | Editing by | Antony Gibbs
Cameras | Panavision Cameras
River of No Return (1954)
Directed by | Otto Preminger, Jean Negulesco | Cinematography by | Joseph LaShelle | Editing by | Louis R. Loeffler
Lenses | Bausch & Lomb Lenses
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
The King and I (1956)
Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Lenses | Bausch & Lomb Lenses
How the West Was Won (1962)
Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress
Cameras | Cinerama Camera, Ultra Panavision 70 Camera
Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses
Cleopatra (1963)
Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras
Lenses | Panavision Lenses
The French Connection (1971)
Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg
Cameras | ARRIFLEX 35 IIC Camera
Lenses | ARRI / Zeiss Lenses
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9