4-Track Stereo | 47 Titles
Rollerball (1975)
Directed by | Norman Jewison | Cinematography by | Douglas Slocombe | Editing by | Antony Gibbs
Cameras | Panavision Cameras
River of No Return (1954)
Directed by | Otto Preminger, Jean Negulesco | Cinematography by | Joseph LaShelle | Editing by | Louis R. Loeffler
Lenses | Bausch & Lomb Lenses
The King and I (1956)
Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Lenses | Bausch & Lomb Lenses
How the West Was Won (1962)
Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress
Cameras | Cinerama Camera, Ultra Panavision 70 Camera
Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses
The French Connection (1971) 
Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg
Cameras | ARRIFLEX 35 IIC Camera
Lenses | ARRI / Zeiss Lenses
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
