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Diamonds Are Forever (1971)

Motion Picture | 2D | Color | 120 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes

Starring | Sean Connery, Jill St. John, Charles Gray, Lana Wood

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Silent Ones (2013)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke

Starring | Fatih Dervisoglu, Roland Rába, Orsolya Tóth

Cameras | Aaton Penelope Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

From Here to Eternity (1953)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 118 Minutes

Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon

Starring | Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed

Cameras | Mitchell Cameras

The Night of the Hunter (1955)

Motion Picture | 2D | Black & White | 92 Minutes

Directed by | Charles Laughton | Cinematography by | Stanley Cortez | Editing by | Robert Golden

Starring | Robert Mitchum, Shelley Winters, Lillian Gish, James Gleason

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Divergent (2014)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson

Starring | Shailene Woodley, Theo James, Kate Winslet, Jai Courtney

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Do You Remember? (2015)

Motion Picture | 2D | Color |

Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge

Starring | Twyla Doone, Marcus Duffy, Jack Northeast, Daisy Mouatt

Cameras | Canon EOS 550D Camera

All Is Lost (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

The Impossible (2012)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana

Starring | Naomi Watts, Ewan McGregor, Tom Holland, Oaklee Pendergast

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Zeiss Master Prime Lenses

Bullet to the Head (2012)

Motion Picture | 2D | Color, Black and White | 1.85:1 | 92 Minutes

Bullet to the Head | ShotOnWhat?

Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson

Starring | Sylvester Stallone, Jason Momoa, Christian Slater, Sung Kang

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Fool’s Gold (2008)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Fool’s Gold | ShotOnWhat?

Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith

Starring | Matthew McConaughey, Kate Hudson, Donald Sutherland, Alexis Dziena

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Push (2009)

Motion Picture | 2D | Color | 111 Minutes

Push | ShotOnWhat?

Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz

Starring | Camilla Belle, Dakota Fanning, Chris Evans, Colin Ford

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Altergeist (2014)

Motion Picture | 2D | Color, Color | 91 Minutes

Altergeist | ShotOnWhat?

Oblivion (2013)

Motion Picture | 2D | 4K Project | Color | 1.85:1, 2.39:1 | 124 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce

Starring | Tom Cruise, Morgan Freeman, Andrea Riseborough, Olga Kurylenko

Cameras | Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Bounty (1984)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson

Starring | Mel Gibson, Anthony Hopkins, Laurence Olivier, Edward Fox

Cameras | J-D-C Camera, Joe Dunton Cameras

Un amour de jeunesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier

Starring | Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Sexy Beast (2000)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade

Starring | Ray Winstone, Ben Kingsley, Ian McShane, Amanda Redman

Cameras | ARRI ARRIFLEX Series Cameras

Lenses | ARRI Lenses

Charlie Wilson’s War (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Tom Hanks, Julia Roberts, Philip Seymour Hoffman, Amy Adams

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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