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4K Scan Resolution | 37 Titles

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Blade Runner (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

The Little Church That Could (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 13 Minutes

Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook

Starring | Christopher Newhook, Tom O'Keefe, Kevin Noseworthy

Cameras | Blackmagic URSA Camera

Gift from Above (2021)

Short | 2D | 4K Project | Color | 2.39:1 | 5 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook

Starring | Hollie Barrett, Marcus J. Smith, Keith Bonnell

Cameras | Blackmagic Production 4K Camera

Lady at Number 16 (2022)

Short Film | 2D | 4K Project | Black & White | 1.78:1 (16x9) | 9 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook

Starring | Gavin J. Snow, James Squires, Ashley Dingwell

Cameras | Blackmagic URSA Camera

Dune (2021)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 155 Minutes

Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker

Starring | Timothée Chalamet, Rebecca Ferguson, Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Kis Uykusu (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 196 Minutes

Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl

Starring | Haluk Bilginer, Melisa Sözen, Demet Akbag, Ayberk Pekcan

Cameras | Sony CineAlta F65 Camera

Lenses | Zeiss Master Prime Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

Daniel’s Vlog (2019)

Web Series | 2D | UHD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Daniel Back | Editing by | Tom Sykes, Daniel Back

Starring | Daniel Back

Cameras | Apple iPhone Camera

Tom Sykes Creates (2020)

Web Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Tom Sykes | Editing by | Tom Sykes

Starring | Tom Sykes

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Panasonic Lumix G Vario 14-42mm f3.5 Lens

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Beginning (2020)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier

Starring | Ia Sukhitashvili, Rati Oneli, Kakha Kintsurashvili

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke 5/i Prime 25mm T1.4 Lens

Sound of Metal (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Darius Marder | Cinematography by | Daniël Bouquet | Editing by | Mikkel E.G. Nielsen

Starring | Riz Ahmed, Olivia Cooke, Paul Raci, Lauren Ridloff

Cameras | Aaton Penelope Camera

Smart Guys (2016)

Web Series | 2D | Color | 1.78:1 (16x9) | 80 Minutes

| Cinematography by | Gino Varisano, Ian Mosley-Duffy | Editing by | Nick Murphy, Paul Ritchey

Starring | Paul Ritchey, Nick Murphy, Josh Henderson, Corey Regensburg

Cameras | Canon EOS-7D Camera, Red One Camera

A Good Reason (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 6 Minutes

Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt

Starring | Scot Scurlock, Daniel Grochowski, Andre L. Burch, Nando Palacios

Cameras | Aaton Penelope Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Ava (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps

Starring | Noée Abita, Laure Calamy, Juan Cano, Tamara Cano

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk V-Lite Lenses

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