2D | 5452 Titles
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
À moi seule (2012)
Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
A Murder of Crows (1998)
Directed by | Rowdy Herrington | Cinematography by | Robert Primes | Editing by | Harry B. Miller III
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Maadadayo (1993)
Directed by | Akira Kurosawa | Cinematography by | Takao Saitô, Shôji Ueda | Editing by | Akira Kurosawa, Ishirô Honda
Cameras | ARRIFLEX 535 Camera
Diary of a Wimpy Kid (2010)
Directed by | Thor Freudenthal | Cinematography by | Jack N. Green | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Kundun (1997)
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
Otter 501 (2012)
Directed by | Bob Talbot | Cinematography by | Mark Shelley | Editing by | Shirley Gutierrez
Cameras | Canon EOS-5D Mark II Camera, Cineflex V14HD Camera
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
Bored to Death (2009)
| Cinematography by | Vanja Cernjul | Editing by | Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Colombiana (2011)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre
Radioland Murders (1994)
Directed by | Mel Smith | Cinematography by | David Tattersall | Editing by | Paul Trejo
Cameras | ARRI ARRIFLEX Series Cameras
The Pelican Brief (1993)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Tom Rolf, Trudy Ship
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
ToyKhtoProyshovKrizVohon (2011)
Directed by | Mykhailo Illienko | Cinematography by | Oleksandr Kryshtalovych | Editing by | Viktor Malyarenko
Cameras | Red One Camera
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Dictator (2012)
Directed by | Larry Charles | Cinematography by | Lawrence Sher | Editing by | Greg Hayden, Eric Kissack
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark III Camera
Lenses | Panavision Primo Anamorphic Lenses
Dorian Gray (2009)
Directed by | Oliver Parker | Cinematography by | Roger Pratt | Editing by | Guy Bensley
Lenses | Angenieux Lenses, Cooke S4 Lenses
Mo’ Better Blues (1990)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Sekai no chûshin de, ai o sakebu (2004)
Directed by | Isao Yukisada | Cinematography by | Noboru Shinoda | Editing by | Takeshi Imai
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
