2D | 5452 Titles
Blades of Glory (2007)
Directed by | Josh Gordon, Will Speck | Cinematography by | Stefan Czapsky | Editing by | Richard Pearson
Ah Boys to Men (2012)
Yi jiu si er (2012)
Sivaji (2007)
Directed by | S. Shankar | Cinematography by | K.V. Anand | Editing by | Anthony
Cameras | ARRIFLEX 435 Camera
Da Shang Hai (2012)
Directed by | Jing Wong | Cinematography by | Jason Kwan, Andrew Lau Wai-Keung, Yong Yang, Zhen Yang | Editing by | Wai Chiu Chung
Cameras | ARRI ALEXA Camera, Red Epic Camera
Der Abschied (2003)
Directed by | Sören Schulz | Cinematography by | Thomas Frischhut | Editing by | Sylvain Coutandin
Cameras | ARRI Cameras
Trance (2013)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
A Glimpse Inside the Mind of Charles Swan III (2012)
Directed by | Roman Coppola | Cinematography by | Nick Beal | Editing by | Robert Schafer
Cameras | ARRI ALEXA Camera, ARRI Cameras
No (2012)
Directed by | Pablo Larraín | Cinematography by | Sergio Armstrong | Editing by | Andrea Chignoli
Cameras | Ikegami HL-79EAL Camera
Safe Haven (2013)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
A Good Day to Die Hard (2013)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Lone Ranger (2013)
Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood
Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens
Furious 6 (2013)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera
The Hunger Games: Catching Fire (2013)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Death of a Shadow (2012)
Directed by | Tom Van Avermaet | Cinematography by | Stijn Van der Veken | Editing by | Dieter Diependaele
Curfew (2012)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke
Cameras | Red One Camera
Asad (2012)
Directed by | Bryan Buckley | Cinematography by | Scott Henriksen | Editing by | Chris Franklin
Cameras | Red Epic Camera
Paperman (2012)
Rebelle (2012)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
