2D | 5452 Titles
The IT Crowd (2006)
| Cinematography by | Francis De Groote, Bill Broomfield | Editing by | Paul Machliss, Richard Halladey, Graham Barker
Officer Down (2012)
Directed by | Rudi Rose | Cinematography by | John Christian Patterson | Editing by | Rudi Rose
Cameras | Sony PMW-F3 Camera
Plan 9 (2015)
Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner
Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera
Lenses | Zeiss Lenses
Ghost of Goodnight Lane (2014)
Directed by | Alin Bijan | Cinematography by | David Blood | Editing by | Alin Bijan, Jonny Revolt
Cameras | Sony PMW-F3 Camera
Follow Me (2012)
Love of Mass Destruction (2015)
Directed by | Berenika Maciejewicz, Jeff Solema | Cinematography by | C. Duke Marsh | Editing by | Charles Rogers, Ron Soha
Cameras | Sony PMW-F3 Camera
We’ll Take Manhattan (2012)
Directed by | John McKay | Cinematography by | Tim Palmer | Editing by | David Charap
Cameras | Sony PMW-F3 Camera
The Awakened (2012)
Directed by | Lou Simon, Douglas Villalba | Cinematography by | Douglas Villalba | Editing by | Douglas Villalba
Cameras | Sony PMW-F3 Camera
Bad Parents (2012)
Directed by | Caytha Jentis | Cinematography by | Anthony Savini | Editing by | Verne Mattson
Cameras | Sony PMW-F3 Camera
Where the Trail Ends (2012)
Directed by | Jeremy Grant | Cinematography by | Brad McGregor | Editing by | Andrew Boucher, Jeremy Grant
Conspiracy 365 (2012)
| Cinematography by | László Baranyai | Editing by | Philip Watts, Peter Carrodus
Cameras | Sony PMW-F3 Camera
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
For Your Consideration (2006)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera
The Paperboy (2012)
Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz
Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Stay (2005)
Directed by | David Brind | Cinematography by | Kenneth Wilson II
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses
Superhero Me (2013)
Directed by | David Bradburn | Cinematography by | Caleb Burdeau | Editing by | David Bradburn, Caleb Burdeau
Cameras | Panasonic Lumix DMC-GH2 Camera
Lenses | Fujinon Lenses
Stoker (2013)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera
21 & Over (2013)
Directed by | Jon Lucas, Scott Moore | Cinematography by | Terry Stacey | Editing by | John Refoua
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The Last Exorcism Part II (2013)
Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly
Cameras | ARRI ALEXA Camera

















































