2D | 5452 Titles
House M.D. (2004)
| Cinematography by | Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger | Editing by | Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Blue Bloods (2010)
| Cinematography by | Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey | Editing by | Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras | ARRI ALEXA Camera, Red One MX Camera
Burn Notice (2007)
| Cinematography by | William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper | Editing by | Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
A Royal Affair (2012)
Directed by | Nikolaj Arcel | Cinematography by | Rasmus Videbæk | Editing by | Kasper Leick, Mikkel E.G. Nielsen
Cameras | ARRICAM Studio (ST) Camera
Lenses | Zeiss Master Prime Lenses
Searching for Sugar Man (2012)
Directed by | Malik Bendjelloul | Cinematography by | Camilla Skagerström | Editing by | Malik Bendjelloul
The Invisible War (2012)
Directed by | Kirby Dick | Cinematography by | Kirsten Johnson, Thaddeus Wadleigh | Editing by | Douglas Blush, Derek Boonstra
How to Survive a Plague (2012)
Directed by | David France | Cinematography by | Derek Wiesehahn | Editing by | Woody Richman, Tyler H. Walk
The Gatekeepers (2012)
Five Broken Cameras (2011)
Directed by | Emad Burnat, Guy Davidi | Cinematography by | Emad Burnat | Editing by | Guy Davidi, Véronique Lagoarde-Ségot
Cameras | JVC GR-D54E Camera, Panasonic AG-HVX200 Camera, Panasonic NV-GS140 Camera, Sony DCR-PC110 Camera, Sony DSR-PDX10P Camera
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Feed (2010)
Directed by | Steve Gibson | Cinematography by | Seth Drick, Steve Gibson, Sam Nelsen | Editing by | Steve Gibson, Ben Watts
Cameras | Panavision Cameras
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
The Impossible (2012)
Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana
Lenses | Zeiss Master Prime Lenses
Sorority Party Massacre (2012)
Directed by | Chris W. Freeman, Justin Jones | Cinematography by | Steven Parker | Editing by | Mike Hugo
Cameras | Red Digital Cinema Cameras
Izlet (2011)
Directed by | Nejc Gazvoda | Cinematography by | Marko Brdar | Editing by | Nejc Gazvoda, Janez Lapajne
Cameras | Canon EOS-7D Camera
Eagleheart (2010)
| Cinematography by | Christian Sprenger | Editing by | Eric Notarnicola, Benjamin Berman, Seth Clark, Daniel Haworth, Michael Giambra, Steve Welch, Kabir Akhtar
Cameras | Red One Camera
Arrested Development (2003)
| Cinematography by | Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas | Editing by | Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath
Cameras | Panasonic AJ-HDC27 Varicam Camera, Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
How I Met Your Mother (2005)
| Cinematography by | Chris La Fountaine, Steven V. Silver | Editing by | Susan Federman, Kirk Benson
Cameras | Sony CineAlta F23 Camera
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Ghostlight (2013)
Directed by | Jeff Ferrell | Cinematography by | Domenic Barbero | Editing by | Jeff Ferrell
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
