2D | 5452 Titles
Austenland (2013)
Directed by | Jerusha Hess | Cinematography by | Larry Smith | Editing by | Nick Fenton
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Shopping (2013)
Directed by | Mark Albiston, Louis Sutherland | Cinematography by | Ginny Loane | Editing by | Annie Collins
Cameras | ARRIFLEX 416 Camera
Houston (2013)
Circles (2013)
Un giorno devi andare (2013)
Directed by | Giorgio Diritti | Cinematography by | Roberto Cimatti | Editing by | Esmeralda Calabria
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Rambler (2013)
Directed by | Calvin Reeder | Cinematography by | David McFarland | Editing by | Buzz Pierce
Cameras | ARRI ALEXA Camera
The Lifeguard (2013)
Directed by | Liz W. Garcia | Cinematography by | John Peters | Editing by | Jennifer Davidoff Cook, Elizabeth Kling
Cameras | ARRI ALEXA Camera
I Used to Be Darker (2013)
Directed by | Matthew Porterfield | Cinematography by | Jeremy Saulnier | Editing by | Marc Vives
Cameras | ARRI ALEXA Camera
In Fear (2013)
Directed by | Jeremy Lovering | Cinematography by | David Katznelson | Editing by | Jonathan Amos
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro (Woodman Labs) Cameras
Il Futuro (2013)
Directed by | Alicia Scherson | Cinematography by | Ricardo DeAngelis | Editing by | Soledad Salfate, Ana Álvarez Ossorio
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Hell Baby (2013)
Directed by | Robert Ben Garant, Thomas Lennon | Cinematography by | Charles Papert | Editing by | Kevin Oeser
Cameras | ARRI ALEXA Camera
The Truth About Emanuel (2013)
Directed by | Francesca Gregorini | Cinematography by | Polly Morgan | Editing by | Antony Langdon
Cameras | ARRI ALEXA Camera
Blue Caprice (2013)
Directed by | Alexandre Moors | Cinematography by | Brian O'Carroll | Editing by | Gordon Grinberg, Alexandre Moors
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
Dead Survivors (2010)
Directed by | David Brückner | Cinematography by | David Brückner | Editing by | David Brückner
Cameras | Canon EOS 500D Camera, Sony HDR-FX1000 Camera
Fool’s Gold (2008)
Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
LUV (2012)
Directed by | Sheldon Candis | Cinematography by | Gavin Kelly | Editing by | Jeff Wishengrad
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses
Race 2 (2013)
Directed by | Abbas Alibhai Burmawalla, Mastan Alibhai Burmawalla | Cinematography by | Ravi Yadav | Editing by | Hussain A. Burmawala
Movie 43 (2013)
Directed by | Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk | Cinematography by | Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt | Editing by | Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras | Red One MX Camera
Parker (2013)
Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
