North America | 1607 Titles
Rocky (1976) 
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey
Lenses | Panavision Lenses
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Fletch Lives (1989)
Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris
Cameras | Panavision Cameras
Lenses | Panavision Lenses
xXx (2002)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses
Lost in America (1985)
Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer
Cameras | Panavision Panaflex Gold Camera
Wag the Dog (1997)
Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Good Night, and Good Luck. (2005)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Edge of Darkness (2010)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | Panavision Panaflex Platinum Camera
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
Step Up Revolution (2012)
Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Cast Away (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Ghost World (2001)
Directed by | Terry Zwigoff | Cinematography by | Affonso Beato | Editing by | Carole Kravetz Aykanian, Michael R. Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Logan’s Run (1976)
Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman
Cameras | ARRIFLEX Camera, Mitchell Cameras
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
Rain Man (1988)
Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder
Cameras | Panavision Panaflex Camera
In the Bedroom (2001)
Across 110th Street (1972)
Directed by | Barry Shear | Cinematography by | Jack Priestley | Editing by | Byron 'Buzz' Brandt, Carl Pingitore
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
American Me (1992)
Directed by | Edward James Olmos | Cinematography by | Reynaldo Villalobos | Editing by | Richard Candib, Arthur Coburn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
