North America | 1782 Titles
North Country (2005)
Directed by | Niki Caro | Cinematography by | Chris Menges | Editing by | David Coulson
Cameras | Panavision Panaflex Millennium XL Camera
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Syriana (2005)
Directed by | Stephen Gaghan | Cinematography by | Robert Elswit | Editing by | Tim Squyres
Cameras | Panavision Panaflex Millennium XL Camera
Brubaker (1980)
Directed by | Stuart Rosenberg | Cinematography by | Bruno Nuytten | Editing by | Robert Brown
Cameras | Panavision Cameras
All the Boys Love Mandy Lane (2006)
Cruising (1980)
Directed by | William Friedkin | Cinematography by | James A. Contner | Editing by | Bud S. Smith, M. Scott Smith
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Brainstorm (1983)
Directed by | Douglas Trumbull | Cinematography by | Richard Yuricich | Editing by | Freeman A. Davies, Edward Warschilka
In America (2002)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Men in Black (1997)
A Simple Plan (1998)
Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn
Cameras | Panavision Panaflex Platinum Camera
Bad Timing (1980)
Directed by | Nicolas Roeg | Cinematography by | Anthony B. Richmond | Editing by | Tony Lawson
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Dune (1984)
Nadine (1987)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas
Cameras | Panasonic AJ-HDC27 Varicam Camera
The Straight Story (1999)
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold II Camera
Atlantic City (1980)
Directed by | Louis Malle | Cinematography by | Richard Ciupka | Editing by | Suzanne Baron
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
4:44 Last Day on Earth (2011)
Directed by | Abel Ferrara | Cinematography by | Ken Kelsch | Editing by | Anthony Redman
Cameras | Red One MX Camera
Lenses | Cooke S4 Lenses
Gone with the Wind (1939)
Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes
Cameras | Technicolor 3-Strip Camera
Lenses | Bausch & Lomb Lenses
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera