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North America | 1782 Titles

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Community (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Gary Hatfield, James Hawkinson, Buzz Feitshans IV, Jon Tucker, Michael A. Price | Editing by | Peter B. Ellis, Ruthie Aslan, Steven Sprung, Christian Kinnard, Jeff Hall, John Peter Bernardo, Jeff Groth, Lisa Lassek, Joel Goodman, Spencer Houck, William Marrinson, Jim Towne, Garret Elkins, Larry Bock, Jeffrey M. Werner, Luke Guidici

Starring | Joel McHale, Danny Pudi, Donald Glover, Chevy Chase

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Cooke S4 Lenses

Walking with Dinosaurs 3D (2013)

Motion Picture | 3D | Color | 87 Minutes

Directed by | Barry Cook, Neil Nightingale | Cinematography by | John Brooks | Editing by | John Carnochan

Starring | Charlie Rowe, Karl Urban, Angourie Rice, John Leguizamo

Cameras | Red Epic Camera

Ender’s Game (2013)

Motion Picture | 3D | Color | 114 Minutes

Ender’s Game | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Lee Smith, Zach Staenberg

Starring | Harrison Ford, Asa Butterfield, Hailee Steinfeld, Abigail Breslin

Cameras | Red Epic Camera

Seventh Son (2014)

Motion Picture | 3D | Color | 2.39:1 | 102 Minutes

Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell

Starring | Ben Barnes, Julianne Moore, Jeff Bridges, Alicia Vikander

Cameras | ARRI ALEXA Camera

The Counselor (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Counselor | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Penélope Cruz, Cameron Diaz, Javier Bardem

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

X-Men: Days of Future Past (2014)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | Patrick Stewart, Ian McKellen, Hugh Jackman, James McAvoy

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

The Chicago Code (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Rohn Schmidt, M. David Mullen | Editing by | Jordan Goldman, David Kaldor, Rick Tuber, Dody Dorn, Dorian Harris

Starring | Jason Clarke, Jennifer Beals, Matt Lauria, Devin Kelley

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Escape Plan (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg

Starring | Sylvester Stallone, Arnold Schwarzenegger, 50 Cent, Vincent D'Onofrio

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rio 2 (2014)

Motion Picture | 3D | Color | 1.78:1 (16x9) | 101 Minutes

Directed by | Carlos Saldanha | Cinematography by | Renato Falcão | Editing by | Harry Hitner, Randy Trager

Starring | Jesse Eisenberg, Anne Hathaway, Jemaine Clement, Andy Garcia

The Guilt Trip (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly

Starring | Barbra Streisand, Seth Rogen, Julene Renee, Zabryna Guevara

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Bones (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Starring | Emily Deschanel, David Boreanaz, Michaela Conlin, T.J. Thyne

Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Glee (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki | Editing by | Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold

Starring | Lea Michele, Jane Lynch, Matthew Morrison, Cory Monteith

Cameras | Digital Bolex D16, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Paranoia (2013)

Motion Picture | 2D | Color | 2.39:1 | 6 Minutes

Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford

Starring | James Langille, Jesse Langille, Natasha Alford

Cameras | ARRI ALEXA Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

The Company You Keep (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day

Starring | Robert Redford, Brit Marling, Stanley Tucci, Nick Nolte

Cameras | ARRICAM Lite (LT) Camera

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

42 (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt

Starring | Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sabotage (2014)

Motion Picture | 2D | Color | 109 Minutes

Sabotage | ShotOnWhat?

Directed by | David Ayer | Cinematography by | Bruce McCleery | Editing by | Dody Dorn

Starring | Arnold Schwarzenegger, Sam Worthington, Terrence Howard, Olivia Williams

Desperate Measures (1998)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy

Starring | Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Scary Movie 5 (2013)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig

Starring | Simon Rex, Ashley Tisdale, Charlie Sheen, Lindsay Lohan

Cameras | ARRI ALEXA Camera

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