North America | 1782 Titles
Prince Avalanche (2013)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton
Cameras | ARRI ALEXA Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Don Jon (2013)
Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman
Insidious: Chapter 2 (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Out of the Furnace (2013)
Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom
Redemption (2013)
Directed by | Jon Alpert, Matthew O'Neill | Editing by | Adam Barton, John Custodio, Rob Kuhns, David Meneses, Jay Arthur Sterrenberg
Jobs (2013)
Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Bling Ring (2013)
Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack
Cameras | Red Epic Camera
The Internship (2013)
Directed by | Shawn Levy | Cinematography by | Jonathan Brown | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA Plus Camera
Killing Season (2013)
Directed by | Mark Steven Johnson | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blue Jasmine (2013)
Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter
Lenses | Zeiss Master Prime Lenses
The Purge (2013)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Plus Camera
We’re the Millers (2013)
Directed by | Rawson Marshall Thurber | Cinematography by | Barry Peterson | Editing by | Michael L. Sale
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Way Way Back (2013)
Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA Camera
The Heat (2013)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White
The Colony (2013)
Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Oldboy (2013)
Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown
Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses
Hemlock Grove (2013)
| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
Behind Me (2013)
Directed by | Rebecca Pugh | Cinematography by | Joseph Walker | Editing by | Joseph Walker
Cameras | Red Epic Camera
Godzilla (2014)
Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses
