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France | 226 Titles

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Portrait of a Lady on Fire (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 122 Minutes

Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray

Starring | Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino

Cameras | Red Monstro 8K Camera

Lenses | Leitz THALIA Series Lenses

Mission: Impossible – Fallout (2018)

Motion Picture | 3D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton

Starring | Tom Cruise, Henry Cavill, Ving Rhames

Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

To Catch a Thief (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 106 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams

Cameras | VistaVision Cameras

Around the World in Eighty Days (1956)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 175 Minutes

Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax

Starring | David Niven, Cantinflas, Finlay Currie

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Napoleon (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson

Starring | Joaquin Phoenix, Vanessa Kirby, Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

French Story (2024)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 60 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Joshua Allsopp, Cal Duffy, Matthias Fettah

Lenses | Zeiss Jena Lens

Fay Grim (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 118 Minutes

Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley

Starring | Parker Posey, Jeff Goldblum, Liam Aiken

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

Anatomy of a Fall (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 151 Minutes

Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal

Starring | Sandra Hüller, Swann Arlaud, Milo Machado Graner

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

Amélie (2001)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 122 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Mathieu Kassovitz, Rufus

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses | Zeiss Ultra Prime Lenses

Madre (2017)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Rodrigo Sorogoyen | Cinematography by | Alejandro de Pablo | Editing by | Alberto del Campo

Starring | Marta Nieto, Blanca Apilánez, Álvaro Balas

A Very Long Engagement (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Gaspard Ulliel, Jodie Foster

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Before Sunset (2004)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Vernon Dobtcheff

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Kid with a Bike (2011)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Thomas Doret, Cécile de France, Jérémie Renier

Cameras | ARRICAM Lite (LT) Camera

An Officer and a Spy (2019)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Louis Garrel, Christophe Maratier, Pierre Poirot, Stéfan Godin

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses

Les Misérables (2019)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Ladj Ly | Cinematography by | Julien Poupard | Editing by | Flora Volpelière

Starring | Damien Bonnard, Alexis Manenti, Djebril Zonga, Issa Perica

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

The Stroller Strategy (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré

Starring | Raphaël Personnaz, Charlotte Le Bon, Jérôme Commandeur

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Nécrologies (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 75 Minutes

Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message

Starring | Jean-Claude Dreyfus, Sophie Jarmouni, Francesco Porcelli

Cameras | Sony PMW-F3 Camera, Sony α7S Camera

Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

La Marginale (2022)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 |

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar

Starring | Sarah Perles, Corinne Masiero, Delphine Baril

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens

Operation Portugal (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 95 Minutes

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier

Starring | D'Jal, Sarah Perles, Pierre Azéma

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses

My Mother’s Castle (1990)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Yves Robert | Cinematography by | Robert Alazraki | Editing by | Pierre Gillette

Starring | Julien Ciamaca, Philippe Caubère, Nathalie Roussel

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