Burbank | 74 Titles
The Perfect Host (2010)
Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
A Girl Is a Gun (2017)
| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic 30-72 mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
Bambi (1942)
Directed by | James Algar, Samuel Armstrong, David Hand, Graham Heid, Bill Roberts, Paul Satterfield, Norman Wright, Arthur Davis, Clyde Geronimi | Editing by | Thomas Scott
Cameras | Bell & Howell 2709 Camera
Pinocchio (1940)
Directed by | Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, Ben Sharpsteen
Cameras | Bell & Howell 2709 Camera
Fantasia (1940)
Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe
Cameras | Bell & Howell 2709 Camera
Jurassic Park (1993)
Sullivan & Son (2012)
| Cinematography by | Gary Baum, James W. Roberson | Editing by | Stephen Prime, Jonathan Posell, Patricia Barnett, Andy Zall, Andrew Zall
Cameras | Sony CineAlta F23 Camera
Cheyenne Autumn (1964)
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins
Cameras | Super Panavision-70 Camera
The Life of Emile Zola (1937) 
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Bowling for Columbine (2002)
A-List (2006)
Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras
Lenses | Cooke Lenses
Con Games (2001)
Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Angenieux Lenses
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Rio Bravo (1959)
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
Cameras | Mitchell BNC Camera
Grease (1978)
Directed by | Randal Kleiser | Cinematography by | Bill Butler | Editing by | John F. Burnett
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Streetcar Named Desire (1951)
My Fair Lady (1964)
Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler
Cameras | Super Panavision-70 Camera
High Noon (1952)
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras | Mitchell Cameras
Pursued (1947)
