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Venus Effect (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 |

Directed by | Andrew Burn | Cinematography by | Andrew Burn

Starring | Chase Brown, Whitney Code, Vanessa D. Fant

Cameras | Sony Cameras, Sony ILME-FX3 Camera

Lenses | Sony G Master Series Lenses

Kinds of Kindness (2024)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 164 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Jesse Plemons, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Girls (2012)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Tim Ives, Jody Lee Lipes, Matthew Santo, Hernan Otaño | Editing by | Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon

Starring | Lena Dunham, Allison Williams, Jemima Kirke, Adam Driver

Cameras | ARRI ALEXA Camera

Once Upon a Time (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Stephen Jackson, Tony Mirza, Steven Fierberg | Editing by | Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong

Starring | Ginnifer Goodwin, Jennifer Morrison, Lana Parrilla, Robert Carlyle

Cameras | ARRI ALEXA Camera, ARRI ALEXA SXT EV Cameras, Blackmagic Cinema Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Scandal (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon | Editing by | Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland

Starring | Kerry Washington, Darby Stanchfield, Katie Lowes, Guillermo Diaz

Cameras | ARRI ALEXA Camera, Digital Bolex D16

Lenses | Angenieux Optimo Zoom Lenses

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.39:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Californication (2007)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Michael Weaver, Tim Bellen, Andy Graham, Peter Levy | Editing by | Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong

Starring | David Duchovny, Natascha McElhone, Evan Handler, Pamela Adlon

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Deep (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Peter Yates | Cinematography by | Christopher Challis | Editing by | David Berlatsky

Starring | Jacqueline Bisset, Nick Nolte, Dick Anthony Williams, Robert Shaw

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Panavision Lenses

CSI: Crime Scene Investigation (2000)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt

Starring | William Petersen, Laurence Fishburne, Ted Danson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Touch of Evil (1958)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 95 Minutes

Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss

Starring | Charlton Heston, Orson Welles, Janet Leigh

Cameras | Mitchell BNC Camera, Mitchell NC Camera

Filming ‘Othello’ (1978)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 84 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver

Starring | Orson Welles, Micheál MacLiammóir, Hilton Edwards

Citizen Kane (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise

Starring | Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead

Cameras | Mitchell BNC Camera

Lenses | Cooke Speed Panchro Lenses

Inception (2010)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

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