4K Project | 314 Titles
DEC Ukraine Humanitarian Appeal (2022)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
Ford v Ferrari (2019)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses
Lady at Number 16 (2022)
Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Star Wars: The Force Awakens (2015)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Star Wars: Episode IX – The Rise of Skywalker (2019)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses
Star Wars: Episode VIII – The Last Jedi (2017)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
White Blood (2023)
Directed by | Richard Williams | Cinematography by | Mark Brightwell
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 25 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
Kompas (2024)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens
Black Panther: Wakanda Forever (2022)
Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver
Cameras | Sony CineAlta VENICE Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses
Annihilation (2018)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling
Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses
Mission: Impossible – Fallout (2018)
Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton
Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses
8-Bit Christmas (2021)
Barbie (2023)
Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Lenses, Panavision System 65 Lenses
The Beekeeper (2024)
Directed by | David Ayer | Cinematography by | Gabriel Beristain | Editing by | Geoffrey O'Brien
Cameras | ARRI Alexa 35 Camera
Bird Box (2018)
Directed by | Susanne Bier | Cinematography by | Salvatore Totino | Editing by | Ben Lester
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Master Prime Lenses
Society of the Snow (2023)
Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Dune (2021)
Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Outlaw King (2018)
Slender Man (2018)
Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York
Cameras | Sony PMW-F55 Camera, Sony α7S II Camera
Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses
Suspiria (2018)
Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano
