Motion Picture | 11129 Titles
Cars (2006)
Directed by | John Lasseter, Joe Ranft | Cinematography by | Jeremy Lasky | Editing by | Ken Schretzmann
Efter brylluppet (2006)
Directed by | Susanne Bier | Cinematography by | Morten Søborg | Editing by | Pernille Bech Christensen, Morten Højbjerg
12 (2007)
Directed by | Nikita Mikhalkov | Cinematography by | Vladislav Opelyants | Editing by | Enzo Meniconi, Andrey Zaytsev
Surf’s Up (2007)
Ratatouille (2007)
Directed by | Brad Bird, Jan Pinkava | Cinematography by | Robert Anderson | Editing by | Darren T. Holmes
Persepolis (2007)
Once (2007)
Directed by | John Carney | Cinematography by | Tim Fleming | Editing by | Paul Mullen
Cameras | Sony HVR-Z1E Camera
Snowden (2016)
Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy
Lenses | Leitz Summicron-C Series Lenses
La Vie en Rose (2007)
Directed by | Olivier Dahan | Cinematography by | Tetsuo Nagata | Editing by | Richard Marizy
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Terminator Genisys (2015)
Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Roger Barton
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Magic Mike XXL (2015)
Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Dragon Camera
Taken 3 (2014)
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
Ted 2 (2015)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony CineAlta F65 Camera
Furious 7 (2015)
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
The Finest Hours (2016)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
To Here Knows When (2013)
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
Where Do We Go From Here? (2015)
Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail
Cameras | Red Epic Camera
Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Katyn (2007)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Milenia Fiedler, Rafal Listopad
Gallery of Horror (1967)
