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On Set Editing | 17 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Parasite (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang

Starring | Kang-ho Song, Sun-kyun Lee, Yeo-jeong Jo, Woo-sik Choi

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

Chelsea Lately (2007)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje

Starring | Chuy Bravo, Chelsea Handler, Mike Rock, Heather McDonald

Cameras | Sony Cameras, Sony HDC-1500 Camera, Sony HDC-2500s

Lenses | Fujinon Lenses

The Precipice Game (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu

Starring | Ruby Lin, Peter Ho, Kim Scar, Yuexi Gai

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

To Here Knows When (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 85 Minutes

Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie

Starring | Kitty Colquhoun, Patrick O'Brien, Hanna Stanbridge

Cameras | Éclair NPR Camera, Red One MX Camera

Lenses | Nikon - Nikkor Lenses

Annabelle Hooper and the Ghosts of Nantucket (2016)

Motion Picture, Television Movie | 4K Project, UHD Project | Color | 92 Minutes

Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean

Starring | Bailee Madison, Robert Capron, Rachel Resheff, Mavrick Moreno

Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera

Lenses | Zeiss Compact Prime Lenses

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

Selfie (2014)

Motion Picture | 2D | Color | 123 Minutes

Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru

Starring | Velea Alex, Alex Calin, Florin Calinescu, Catalin Catoiu

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Canon EF Series Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Body Language (2014)

Short Film | 2D | Color | 11 Minutes

Directed by | Maéva Thibeault | Cinematography by | Ian MacDougall | Editing by | Richard Macdonald, Maéva Thibeault, Mackenzie Warner

Starring | Ben Cotton, Rebekah Asselstine, Jessica Harmon, Craig March

Cameras | Red Digital Cinema Cameras, Red Epic Camera

Lenses | Fujinon Cabrio (ZK3.5 × 85) 85-300mm T2.9/4.0 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Ultra Prime Lenses

Concussion (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo

Starring | Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Ben Shenkman

Cameras | Red Epic Camera

Lenses | Zeiss Lenses

Romans Road (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 103 Minutes

Romans Road | ShotOnWhat?

Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland

Starring | Tyler Gallant, Ben Edwards, Cassie Self, Arlene Newman-Van Asperen

Cameras | Sony PMW-F3 Camera

Poison Sky (0)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 120 Minutes

Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo

Starring | Tyler Gallant, Kevin Sorbo, Nicole A. Randall, Greg Joseph

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

A Picture of You (2013)

Motion Picture | 2D | Color | 83 Minutes

Directed by | J.P. Chan | Cinematography by | Andrew Reed | Editing by | Kevin Barker

Starring | Jo Mei, Andrew Pang, Teyonah Parris, Lucas Dixon

Cameras | Sony PMW-F3 Camera

Lenses | Zeiss Lenses

The Moment After II: The Awakening (2006)

Motion Picture | 2D | Color | 93 Minutes

The Moment After II: The Awakening | ShotOnWhat?

Directed by | Wes Llewellyn | Cinematography by | Todd Barron | Editing by | Wes Llewellyn, Mike Wech

Starring | John Gilbert, David A.R. White, Kevin Downes, Asad Farr

Cameras | Panasonic Cameras, Panasonic VariCam Camera

Lenses | Canon Lenses

Neighbor (2009)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley

Starring | America Olivo, Christian Campbell, Joseph Aniska, Pete Postiglione

Cameras | Red One MX Camera

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

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