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The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Lost Gold of WW2 (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios

Starring | John Casey, Bingo Minerva, Manny Paez, Brad Carr

Cameras | GoPro HERO5 Black, Sony PXW-FS7 Camera, Sony α7R II Camera, Sony α7S II Camera

Lenses | Fujinon Premier Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Hacking the Wild (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

Editing by | Andrew Kimble

Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

Kompas (2024)

Short Film | 2D | 4K Project | Black & White | 2.0:1 | 21 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Robin Copier, Ilse Postma

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens

Christopher Roth (2010)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre

Starring | Joaquim de Almeida, Anna Galiena, Jessica Bonanni

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

Sløborn (2020)

Television Series | 2D | 3.4K Project | Color | 2.39:1 | 48 Minutes

| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna

Starring | Emily Kusche, Aaron Hilmer, Adrian Grünewald

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

The Deleted (2016)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 14 Minutes

| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz

Starring | Nash Grier, Madeline Brewer, Amanda Cerny

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

Operator (2016)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens

Starring | Martin Starr, Mae Whitman, Nat Faxon

Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera

Lenses | Zeiss Lenses

Dirty Mirrors (2022)

Direct to Video | 2D | HD Project | Black & White | 1.33:1 (4x3) |

Directed by | Gus M. Hile

Starring | Izaak Love, Tessa Neilson, Vanessa Davis

Cameras | Nikon Cameras

Semper Fi (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta

Starring | Jai Courtney, Nat Wolff, Finn Wittrock

Cameras | Red Monstro 8K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

Arc de Barà (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos

Starring | Trini Montoliu, Carlos Noriega, Pablo Van Der Nayar

Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black

Lenses | Canon EF Series Lenses, Sigma 30mm f1.4 EX DC HSM Lens

Gipsy Queen (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 117 Minutes

Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl

Starring | Alina Serban, Tobias Moretti, Irina Kurbanova, Catrin Striebeck

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4/i Lenses, Cooke Spherical Lenses

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Incredible Violence (2018)

Motion Picture | 2D | Color | 92 Minutes

Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey

Starring | M.J. Kehler, Stephen Oates, Michael Worthman, Kimberley Drake

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens

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