First Assistant Camera "a" Camera
'Barry' starting now (2022)
Directed by: Bill Hader
Cinematography by: Carl Herse
Edited by: Ali Greer
First Assistant Camera "a" Camera
'Barry' candy asses (2022)
Directed by: Bill Hader
Cinematography by: Carl Herse
Edited by: Franky Guttman
First Assistant Camera "a" Camera
'Barry' 710N (2022)
Directed by: Bill Hader
Cinematography by: Carl Herse
Edited by: Franky Guttman
First Assistant Camera "a" Camera
'Barry' crazytimesh*tshow (2022)
Directed by: Alec Berg
Cinematography by: Darran Tiernan
Edited by: Ali Greer
First Assistant Camera "a" Camera
'Barry' all the sauces (2022)
Directed by: Alec Berg
Cinematography by: Darran Tiernan
Edited by: Ali Greer
First Assistant Camera "a" Camera
'Barry' ben mendelsohn (2022)
Directed by: Alec Berg
Cinematography by: Darran Tiernan
Edited by: Franky Guttman
1st Assistant Camera: A Camera / First Assistant Camera "a" Camera
'Barry' forgiving jeff (2022)
Directed by: Bill Hader
Cinematography by: Carl Herse
Edited by: Franky Guttman
First Assistant Camera "a" Camera
'Barry' limonada (2022)
Directed by: Bill Hader
Cinematography by: Carl Herse
Edited by: Ali Greer
"a" Camera Focus Puller, First Assistant Camera: "a" Camera
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
First Assistant A Camera: Second Unit
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
"a" Camera First Assistant: Second Unit
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
First Assistant Camera: "a" Camera
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
First Assistant: "b" Camera
Rango (2011)
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
First Assistant: "b" Camera
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
First Assistant Camera: "b" Camera
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
First Assistant Camera: Los Angeles
Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
First Assistant Camera: "b" Camera
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
First Assistant Camera: Second Unit
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
First Assistant Photographer: "b" Camera
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Second Assistant Camera: "c" Camera
Redbelt (2008)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Second Assistant Photographer
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
First Assistant Camera: "b" Camera
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Assistant Camera
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
First Assistant Camera: "b" Camera
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Second Assistant Camera
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Assistant Camera
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Second Assistant Camera: "a" Camera
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Assistant Camera
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Assistant Camera
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Assistant Camera
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Set Staff Assistant
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Staff Assistant
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
