Visual Effects Executive
Goodbye Christopher Robin (2017)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Victoria Boydell
Visual Effects Executive
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Executive
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Visual Effects Executive
The Book Thief (2013)
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Visual Effects Executive
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Visual Effects Executive
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Visual Effects Executive
The Three Stooges (2012)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Visual Effects Executive
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Visual Effects Executive
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Visual Effects Executive
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Visual Effects Executive
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Executive
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Visual Effects Executive
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Visual Effects Executive
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Visual Effects Executive
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Visual Effects Executive
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Executive
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Visual Effects Executive
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Visual Effects Executive
What Happens in Vegas (2008)
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Visual Effects Executive
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Visual Effects Executive
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Visual Effects Executive
A Good Year (2006)
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Executive
Bee Season (2005)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
