Tracy Jemison

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Digital Colorist Assistant

Barbershop: The Next Cut (2016)

Motion Picture

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Digital Intermediate Color Assistant

La La Land (2016)

Motion Picture

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Digital Colorist Assistant

War Dogs (2016)

Motion Picture

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

Digital Colorist Assistant

Pete's Dragon (2016)

Motion Picture

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Digital Colorist Assistant

Ice Age: Collision Course (2016)

Motion Picture

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Digital Colorist Assistant

The Secret Life of Pets (2016)

Motion Picture

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Digital Colorist Assistant

Star Trek Beyond (2016)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Digital Colorist Assistant

Term Life (2016)

Motion Picture

Directed by: Peter Billingsley

Cinematography by: Roberto Schaefer

Edited by: Dan Lebental, Kevin Stermer

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

Neighbors 2: Sorority Rising | ShotOnWhat?

Digital Colorist Assistant

Neighbors 2: Sorority Rising (2016)

Motion Picture

Directed by: Nicholas Stoller

Cinematography by: Brandon Trost

Edited by: Zene Baker, Michael A. Webber

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Digital Colorist Assistant

Pelé: Birth of a Legend (2016)

Motion Picture

Directed by: Jeff Zimbalist, Michael Zimbalist

Cinematography by: Matthew Libatique

Edited by: Luis Carballar, Naomi Geraghty, Glen Scantlebury

Cameras: Red Epic Dragon Camera

Digital Colorist Assistant

The Boss (2016)

Motion Picture

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

Digital Colorist Assistant

Hail, Caesar! (2016)

Motion Picture

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Digital Colorist Assistant

Ben-Hur (2016)

Motion Picture

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Digital Colorist Assistant

Straight Outta Compton (2015)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Digital Colorist Assistant

Creed (2015)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Digital Colorist Assistant

The Big Short (2015)

Motion Picture

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Digital Colorist Assistant

The Hunger Games: Mockingjay - Part 2 (2015)

Motion Picture

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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Tracy Jemison

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Digital Colorist Assistant

Barbershop: The Next Cut (2016)

Digital Intermediate Color Assistant

La La Land (2016)

Digital Colorist Assistant

War Dogs (2016)

Digital Colorist Assistant

Pete's Dragon (2016)

Digital Colorist Assistant

Ice Age: Collision Course (2016)

Digital Colorist Assistant

The Secret Life of Pets (2016)

Digital Colorist Assistant

Star Trek Beyond (2016)

Digital Colorist Assistant

Term Life (2016)

Digital Colorist Assistant

Neighbors 2: Sorority Rising (2016)

Digital Colorist Assistant

Pelé: Birth of a Legend (2016)

Digital Colorist Assistant

The Boss (2016)

Digital Colorist Assistant

Hail, Caesar! (2016)

Digital Colorist Assistant

Ben-Hur (2016)

Digital Colorist Assistant

Straight Outta Compton (2015)

Digital Colorist Assistant

Creed (2015)

Digital Colorist Assistant

The Big Short (2015)

Digital Colorist Assistant

The Hunger Games: Mockingjay - Part 2 (2015)

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