Production Counsel
The American Side (2016)
Directed by: Jenna Ricker
Cinematography by: Frank Barrera
Edited by: Robert Grigsby Wilson
Cameras: ARRI ALEXA Camera
Production Counsel
Exposed (2016)
Directed by: Gee Malik Linton
Cinematography by: Trevor Forrest
Edited by: Melody London
Cameras: ARRI ALEXA Camera
Production Counsel
79 Parts (2016)
Directed by: Ari Taub
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Production Counsel
Hangman (2015)
Directed by: Adam Mason
Cinematography by: Tobias Deml
Cameras: Canon VIXIA HF G10 Camera
Lenses: Canon Lenses
Production Counsel
Meadowland (2015)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Financier Legal Counsel
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Production Counsel
It Follows (2014)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio Perez IV
Cameras: ARRI ALEXA Plus Camera, Red Epic Camera
Production Counsel
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Executive Producer, Production Counsel
The Truth About Emanuel (2013)
Directed by: Francesca Gregorini
Cinematography by: Polly Morgan
Edited by: Antony Langdon
Cameras: ARRI ALEXA Camera
Production Counsel
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Executive Producer
Blue Caprice (2013)
Directed by: Alexandre Moors
Cinematography by: Brian O'Carroll
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Ultra Prime Lenses
Executive Producer, Production Counsel: Gray Krauss Des Rochers
Hello I Must Be Going (2012)
Directed by: Todd Louiso
Cinematography by: Julie Kirkwood
Edited by: Tom McArdle
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Production Counsel
2 Days in New York (2012)
Directed by: Julie Delpy
Cinematography by: Lubomir Bakchev
Edited by: Isabelle Devinck
Cameras: ARRI ALEXA Camera, Sony HDW-750 Camera
Production Counsel / Production Legal
4:44 Last Day on Earth (2011)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Anthony Redman
Cameras: Red One MX Camera
Lenses: Cooke S4 Lenses
Production Counsel: Gray Krauss Des Rochers
Return (2011)
Directed by: Liza Johnson
Cinematography by: Anne Etheridge
Edited by: Paul Zucker
Cameras: ARRIFLEX 416 Camera
Lenses: Cooke S4 Lenses
Production Counsel: Gray Krauss Des Eochers
Margin Call (2011)
Directed by: J.C. Chandor
Cinematography by: Frank G. DeMarco
Edited by: Pete Beaudreau
Production Counsel
Hick (2011)
Directed by: Derick Martini
Cinematography by: Frank Godwin
Edited by: Mark Yoshikawa
Production Counsel: Gray Krauss Des Rochers
The Music Never Stopped (2011)
Directed by: Jim Kohlberg
Cinematography by: Stephen Kazmierski
Edited by: Keith Reamer
Executive Producer
The Art of Getting By (2011)
Directed by: Gavin Wiesen
Cinematography by: Ben Kutchins
Edited by: Mollie Goldstein
Production Counsel: US
Colombiana (2011)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Edited by: Camille Delamarre
Financial Counsel
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Legal Counsel
The Best and the Brightest (2010)
Directed by: Josh Shelov
Cinematography by: John Inwood
Edited by: Peter Iannuccilli
Production Counsel
The Imperialists Are Still Alive! (2010)
Directed by: Zeina Durra
Cinematography by: Magela Crosignani
Edited by: Michael Taylor
Executive Producer, Production Counsel: Gray Krauss
Pete Smalls Is Dead (2010)
Directed by: Alexandre Rockwell
Cinematography by: Kai Orion
Production Counsel: Gray Krauss Des Rochers
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Production Attorney
Five Minarets in New York (2010)
Directed by: Mahsun Kirmizigül
Cinematography by: James Gucciardo
Edited by: Mustafa Presheva
Production Counsel: Gray Krauss Des Rochers
Machete (2010)
Cinematography by: Jimmy Lindsey
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Production Legal: Gray Krauss, LLC
How I Got Lost (2009)
Directed by: Joe Leonard
Cinematography by: Christopher Chambers
Legal Services: Gray Krauss
Big Fan (2009)
Directed by: Robert Siegel
Cinematography by: Michael Simmonds
Edited by: Josh Trank
Production Counsel
The Good Heart (2009)
Directed by: Dagur Kári
Cinematography by: Rasmus Videbæk
Edited by: Andri Steinn
Production Counsel
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Legal Services: Gray Krause
August (2008)
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Legal Counsel
Lovely, Still (2008)
Directed by: Nicholas Fackler
Cinematography by: Sean Kirby
Edited by: Douglas Crise
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Production Counsel: Gray Krauss
Lymelife (2008)
Directed by: Derick Martini
Cinematography by: Frank Godwin
Production Counsel: Gray Krauss
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Attorney
Rockaway (2007)
Cinematography by: John Ashmore
Edited by: Michael D. Thomson
Cameras: Kinor 235 Camera, Kinor 35H 9KSN Camera
Production Counsel
West 32nd (2007)
Directed by: Michael Kang
Cinematography by: Simon Coull
Edited by: David Leonard
Legal Counsel
Day Zero (2007)
Directed by: Bryan Gunnar Cole
Cinematography by: Matthew Clark
Edited by: Bryan Gunnar Cole
Production Counsel
The Architect (2006)
Directed by: Matt Tauber
Cinematography by: John Bailey
Edited by: Tom McArdle
Legal Services: Spivak & Gray
Day Night Day Night (2006)
Directed by: Julia Loktev
Cinematography by: Benoît Debie
Legal Services: Spinak & Gray, Production Counsel
Wristcutters: A Love Story (2006)
Directed by: Goran Dukic
Cinematography by: Vanja Cernjul
Edited by: Jonathan Alberts
Production Counsel
Old Joy (2006)
Directed by: Kelly Reichardt
Cinematography by: Peter Sillen
Edited by: Kelly Reichardt
Cameras: Aaton A-Minima Camera
Lenses: Zeiss Super Speeds Mk I Lenses
Production Counsel
A Crime (2006)
Directed by: Manuel Pradal
Cinematography by: Giorgos Arvanitis
Edited by: Jennifer Augé
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Production Legal: Spinak & Gray
Headspace (2005)
Directed by: Andrew van den Houten
Cinematography by: William M. Miller
Edited by: Elwaldo Baptiste
Production Counsel: Spinak & Gray
Mysterious Skin (2004)
Directed by: Gregg Araki
Cinematography by: Steve Gainer
Edited by: Gregg Araki
Production Counsel
The Fallen (2004)
Directed by: Ari Taub
Cameras: ARRI Cameras, Panasonic AG-DVX100 Camera
Legal Counsel: Spinak And Gray
The Station Agent (2003)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
