Jacqui Lopez

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Pacific Rim | ShotOnWhat?

Visual Effects Executive Producer: Industrial Light & Magic

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Great Gatsby | ShotOnWhat?

Visual Effects And Animation: ILM

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Elysium | ShotOnWhat?

Visual Effects Executive Producer: ILM

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Executive Producer: ILM

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rango | ShotOnWhat?

Visual Effects Producer

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Beowulf | ShotOnWhat?

Associate Producer, Visual Effects Producer

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Garfield | ShotOnWhat?

Visual Effects Producer

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Dreamcatcher | ShotOnWhat?

Visual Effects Producer

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Clockstoppers | ShotOnWhat?

Visual Effects Producer

Clockstoppers (2002)

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Showtime | ShotOnWhat?

Visual Effects Producer

Showtime (2002)

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Mission to Mars | ShotOnWhat?

Associate Producer, Visual Effects Producer

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Wild Wild West | ShotOnWhat?

Visual Effects Producer

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Snake Eyes | ShotOnWhat?

Visual Effects Producer

Snake Eyes (1998)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Bill Pankow

Cameras: Moviecam Compact Camera, Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Editing System: Avid Editing System

Men in Black | ShotOnWhat?

Visual Effects Producer

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Village of the Damned | ShotOnWhat?

Visual Effects Producer

Village of the Damned (1995)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

The Mask | ShotOnWhat?

Visual Effects Coordinator

The Mask (1994)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Series Cameras

Lenses: Zeiss Lenses

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