Additional Photography
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Executive Producer, Unit Production Manager
It (2017)
Directed by: Andy Muschietti
Cinematography by: Chung-hoon Chung
Edited by: Jason Ballantine
Cameras: ARRI ALEXA Mini Camera
Executive Producer, Unit Production Manager
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Executive Producer
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Line Producer
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Unit Production Manager: Los Angeles
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Executive Producer, Unit Production Manager
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Executive Producer, Production Manager
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Executive Producer
Observe and Report (2009)
Directed by: Jody Hill
Cinematography by: Tim Orr
Edited by: Zene Baker
Executive Producer, Unit Production Manager
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Executive Producer, Unit Production Manager
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Executive Producer
She's the Man (2006)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Executive Producer, Unit Production Manager
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Associate Producer, Production Manager
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Associate Producer, Unit Production Manager
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Unit Production Manager: Glacier Unit
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Unit Production Manager
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Unit Production Manager
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Unit Production Manager
2 Days in the Valley (1996)
Directed by: John Herzfeld
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Unit Production Manager
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
First Assistant Director
The Flintstones (1994)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
First Assistant Director
Man Trouble (1992)
Directed by: Bob Rafelson
Cinematography by: Stephen H. Burum
Edited by: William Steinkamp
First Assistant Director
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
First Assistant Director
Class Action (1991)
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
First Assistant Director
One Good Cop (1991)
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
First Assistant Director
Sibling Rivalry (1990)
Directed by: Carl Reiner
Cinematography by: Reynaldo Villalobos
Edited by: Bud Molin
First Assistant Director
Police Academy 6: City Under Siege (1989)
Directed by: Peter Bonerz
Cinematography by: Charles Rosher Jr.
Edited by: Hubert de La Bouillerie
First Assistant Director
Caddyshack II (1988)
Directed by: Allan Arkush
Cinematography by: Harry Stradling Jr.
Edited by: Bernard Gribble
Cameras: Panavision Cameras
First Assistant Director: U.S. Second Unit
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
First Assistant Director
Police Academy 5: Assignment: Miami Beach (1988)
Directed by: Alan Myerson
Cinematography by: James Pergola
Edited by: Hubert de La Bouillerie
First Assistant Director
Moving (1988)
Directed by: Alan Metter
Cinematography by: Donald McAlpine
Edited by: Alan Balsam
Cameras: Panavision Cameras
First Assistant Director
Summer School (1987)
Directed by: Carl Reiner
Cinematography by: David M. Walsh
Edited by: Bud Molin
First Assistant Director
Thompson's Last Run (1986)
Directed by: Jerrold Freedman
Cinematography by: Hal Trussell
Edited by: Anthony Redman
Second Assistant Director
Summer Rental (1985)
Directed by: Carl Reiner
Cinematography by: Ric Waite
Edited by: Bud Molin
Cameras: Panavision Cameras
Second Assistant Director
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Second Assistant Director
All of Me (1984)
Directed by: Carl Reiner
Cinematography by: Richard H. Kline
Edited by: Bud Molin
Second Assistant Director
The Wild Life (1984)
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Second Assistant Director
Mike's Murder (1984)
Directed by: James Bridges
Cinematography by: Reynaldo Villalobos
Second Assistant Director
Flashdance (1983)
Directed by: Adrian Lyne
Cinematography by: Donald Peterman
Second Assistant Director
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Second Assistant Director
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
Second Assistant Director
Continental Divide (1981)
Directed by: Michael Apted
Cinematography by: John Bailey
Edited by: Dennis Virkler
Second Assistant Director
The Hand (1981)
Directed by: Oliver Stone
Cinematography by: King Baggot
Edited by: Richard Marks
Production Assistant
The China Syndrome (1979)
Directed by: James Bridges
Cinematography by: James Crabe
Edited by: David Rawlins
Assistant To Producer
The Bad News Bears in Breaking Training (1977)
Directed by: Michael Pressman
Cinematography by: Fred J. Koenekamp
Edited by: John W. Wheeler
