Cg Supervisor
'Into the Badlands' Chapter XVII: Enter the Phoenix (2018)
Directed by: Paco Cabezas
Cinematography by: Daniel Aranyó
Edited by: Ben Wilkinson
Cg Supervisor
'Into the Badlands' Chapter XIX: Leopard Snares Rabbit (2018)
Directed by: Toa Fraser
Cinematography by: Denis Crossan
Edited by: Erin Deck
Cg Supervisor
'Into the Badlands' Chapter XVIII: Moon Rises, Raven Seeks (2018)
Directed by: Paco Cabezas
Cinematography by: Daniel Aranyó
Edited by: Paul G. Day
Cg Supervisor - 3 Episodes, 2018
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Modeler: Image Engine
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Modeler
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Senior Texture Artist: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Modeler: Weta Digital
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Modeler: Weta Digital
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Digital Modeler: Weta Digital
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Creature Texture Painter: Image Engine
District 9 (2009)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke
Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Editing System: Adobe Premiere Editing System
Lead Modeler: C.O.R.E. Digital Pictures
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Modeler: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Lead Texture Artist: SPIN
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Modeling And Texturing: Image Engine
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Modeling And Texturing Supervisor: CFX
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
CGI Modeler: Digital Domain
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
CGI Modeler: Asylum VFX
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Modeling And Texturing Supervisor: CFX
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
