William M. Connor

23 Titles

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Winter's Tale | ShotOnWhat?

Co-producer, First Assistant Director

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Life of Pi | ShotOnWhat?

Associate Producer, First Assistant Director

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Bourne Legacy | ShotOnWhat?

First Assistant Director / First Assistant Director: Manila

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Dilemma | ShotOnWhat?

Associate Producer, Disgruntled Fan, First Assistant Director

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Salt | ShotOnWhat?

Associate Producer, First Assistant Director

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

The Other Guys | ShotOnWhat?

Associate Producer, First Assistant Director

The Other Guys (2010)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Stop-Loss | ShotOnWhat?

First Assistant Director

Stop-Loss (2008)

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

Frost/Nixon | ShotOnWhat?

Associate Producer, First Assistant Director

Frost/Nixon (2008)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

The Da Vinci Code | ShotOnWhat?

First Assistant Director

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cinderella Man | ShotOnWhat?

First Assistant Director

Cinderella Man (2005)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Aviator | ShotOnWhat?

First Assistant Director: Second Unit

The Aviator (2004)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Just Visiting | ShotOnWhat?

First Assistant Director: Additional Photography, Chicago/Los Angeles

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

The Bachelor | ShotOnWhat?

Second Assistant Director

The Bachelor (1999)

Directed by: Gary Sinyor

Cinematography by: Simon Archer

Edited by: Robert M. Reitano, Florence Vinger

Edtv | ShotOnWhat?

Second Assistant Director, Toilet Man

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

As Good as It Gets | ShotOnWhat?

Second Assistant Director

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ransom | ShotOnWhat?

Second Assistant Director

Ransom (1996)

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Boys on the Side | ShotOnWhat?

Second Second Assistant Director: New York And Pittsburgh

Boys on the Side (1995)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Michael R. Miller

Cameras: Panavision Cameras

Apollo 13 | ShotOnWhat?

Second Second Assistant Director

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The American President | ShotOnWhat?

Second Second Assistant Director

The American President (1995)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Paper | ShotOnWhat?

Second Second Assistant Director

The Paper (1994)

Directed by: Ron Howard

Cinematography by: John Seale

Edited by: Daniel P. Hanley, Mike Hill

Six Degrees of Separation | ShotOnWhat?

Second Second Assistant Director

Six Degrees of Separation (1993)

Directed by: Fred Schepisi

Cinematography by: Ian Baker

Edited by: Peter Honess

Far and Away | ShotOnWhat?

Production Assistant

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

Scent of a Woman | ShotOnWhat?

Production Assistant

Scent of a Woman (1992)

Directed by: Martin Brest

Cinematography by: Donald E. Thorin

Edited by: Harvey Rosenstock, William Steinkamp, Michael Tronick

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