Key Hair Stylist
Aftermath (2017)
Directed by: Elliott Lester
Cinematography by: Pieter Vermeer
Edited by: Nicholas Wayman-Harris
Additional Hair Stylist
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Hair Stylist: Cleveland
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Hair Stylist
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Key Hair Stylist
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Key Hair Stylist: Atlanta Second Unit
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Assistant Hair Stylist
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Department Head For Hair, Hair Department Head
Kill Theory (2009)
Directed by: Chris Moore
Cinematography by: David A. Armstrong
Edited by: Maureen Meulen
Hair Stylist
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Additional Hair Stylist
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Assistant Hair Stylist
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Assistant Hair Stylist
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Assistant Hair Stylist
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Department Head Hair Stylist: New Orleans
The Last Time (2006)
Directed by: Michael Caleo
Cinematography by: Tim Suhrstedt
Assistant Hair Stylist
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Assistant Hair Stylist
Faith of My Fathers (2005)
Directed by: Peter Markle
Cinematography by: Bill Roe
Edited by: Scott Boyd
Assistant Hair Stylist
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker