Michelle Ledesma-Yhan

18 Titles

Is this you? Add a Profile

John Wick: Chapter 4 | ShotOnWhat?

Visual Effects Artist: Rodeo FX

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Digital Compositor

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

From | ShotOnWhat?

Digital Compositor - 2 Episodes, 2022

From (2022)

Television Series

Directed by: Jack Bender, Brad Turner, Jennifer Liao, Jeff Renfroe, Alexandra La Roche

Cinematography by: Christopher Ball, David Geddes, David Greene, Dylan Macleod, Michael Wale

Edited by: Ana Yavari, Wendy Hallam Martin, Stephen Lawrence, Dan Briceno, Michele Conroy, Maxyme Tremblay

Cameras: ARRI ALEXA Series Cameras

"Stranger Things" Chapter Three: The Monster and the Superhero | ShotOnWhat?

Digital Compositor

'Stranger Things' Chapter Three: The Monster and the Superhero (2022)

Television Episode

Directed by: Shawn Levy

Cinematography by: Brett Jutkiewicz

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Five: The Nina Project | ShotOnWhat?

Digital Compositor

'Stranger Things' Chapter Five: The Nina Project (2022)

Television Episode

Directed by: Nimród Antal

Cinematography by: Caleb Heymann

Edited by: Casey Cichocki, Nat Fuller, Dean Zimmerman

Molly's Game | ShotOnWhat?

Digital Compositor

Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Stranger Things | ShotOnWhat?

Digital Compositor - 2 Episodes, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

"Orange Is the New Black" Tongue-Tied | ShotOnWhat?

Digital Compositor

'Orange Is the New Black' Tongue-Tied (2015)

Television Episode

Directed by: Julie Anne Robinson

Cinematography by: Ludovic Littee

Edited by: Bill Turro

Divergent | ShotOnWhat?

Digital Compositor

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Pompeii | ShotOnWhat?

Stereoscopic Compositor: Soho VFX

Pompeii (2014)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

RoboCop | ShotOnWhat?

Digital Compositor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

The Secret Life of Walter Mitty | ShotOnWhat?

Visual Effects: Soho VFX

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Orange Is the New Black | ShotOnWhat?

Digital Compositor - 1 Episode, 2015

Orange Is the New Black (2013)

Television Series

Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell

Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Cameras: ARRI ALEXA Camera, Panasonic VariCam 35

Lenses: Cooke 5/i Lenses

Editing System: Avid Editing System

Jack the Giant Slayer | ShotOnWhat?

Stereoscopic Compositor: Soho VFX

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Digital Compositor

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Digital Compositor: Soho VFX

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Resident Evil: Retribution | ShotOnWhat?

Digital Compositor

Resident Evil: Retribution (2012)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

In Time | ShotOnWhat?

Digital Compositor: Soho VFX

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Final Destination 5 | ShotOnWhat?

Stereoscopic Compositor: Soho VFX

Final Destination 5 (2011)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Darkest Hour | ShotOnWhat?

Stereoscopic Compositor: Soho VFX

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Nosso Lar | ShotOnWhat?

Digital Compositor

Nosso Lar (2010)

Directed by: Wagner de Assis

Cinematography by: Ueli Steiger

Edited by: Marcelo Moraes

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

©2012 - 2025 ShotOnWhat?

20254.20