Mark E. Brown

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First Assistant Director: Second Unit

The Color Purple (2023)

Motion Picture

Directed by: Blitz Bazawule

Cinematography by: Dan Laustsen

Edited by: Jon Poll

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

"Unsolved Mysteries" 13 Minutes | ShotOnWhat?

Associate Director

'Unsolved Mysteries' 13 Minutes (2020)

Television Episode

Directed by: Jimmy Goldblum

Cinematography by: Zach Lowry

Edited by: Brad Grossman, Paul Yates

Interim Second Second Assistant Director

First Man (2018)

Motion Picture

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Second Second Assistant Director

Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

First Assistant Director: Second Unit

Baby Driver (2017)

Motion Picture

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

"Into the Badlands" Chapter VI: Hand of Five Poisons | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

'Into the Badlands' Chapter VI: Hand of Five Poisons (2015)

Television Episode

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Ray Daniels III

"Into the Badlands" Chapter V: Snake Creeps Down | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

'Into the Badlands' Chapter V: Snake Creeps Down (2015)

Television Episode

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Anthony Pinker

"Into the Badlands" Chapter IV: Two Tigers Subdue Dragons | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)

Television Episode

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Cedric Nairn-Smith, Vikash Patel

"Into the Badlands" Chapter III: White Stork Spreads Wings | ShotOnWhat?

First Assistant Director: Additional Photography

'Into the Badlands' Chapter III: White Stork Spreads Wings (2015)

Television Episode

Directed by: David Dobkin

Cinematography by: Shane Hurlbut

Edited by: Ray Daniels III

"Into the Badlands" Chapter II: Fist Like a Bullet | ShotOnWhat?

First Assistant Director: Additional Photography

'Into the Badlands' Chapter II: Fist Like a Bullet (2015)

Television Episode

Directed by: David Dobkin

Cinematography by: Shane Hurlbut

Edited by: Anthony Pinker

"Into the Badlands" Chapter I: The Fort | ShotOnWhat?

First Assistant Director: Additional Photography

'Into the Badlands' Chapter I: The Fort (2015)

Television Episode

Directed by: David Dobkin

Cinematography by: Shane Hurlbut

Edited by: Vikash Patel

First Assistant Director / Second Assistant Director - 5 Episodes, 2015

Into the Badlands (2015)

TV Series

Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip

Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart

Edited by: Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

Dawn of the Planet of the Apes | ShotOnWhat?

Additional Second Assistant Director

Dawn of the Planet of the Apes (2014)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Additional 2nd Assistant Director

22 Jump Street (2014)

Motion Picture

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Percy Jackson: Sea of Monsters | ShotOnWhat?

Assistant Director: Reshoots

Percy Jackson: Sea of Monsters (2013)

Motion Picture

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Incredible Burt Wonderstone | ShotOnWhat?

Production Assistant

The Incredible Burt Wonderstone (2013)

Motion Picture

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Additional Second Assistant Director

The Butler (2013)

Motion Picture

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Assistant Director

Homefront (2013)

Motion Picture

Directed by: Gary Fleder

Cinematography by: Theo van de Sande

Edited by: Padraic McKinley

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Set Production Assistant

Pitch Perfect (2012)

Motion Picture

Directed by: Jason Moore

Cinematography by: Julio Macat

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA Camera

What to Expect When You're Expecting | ShotOnWhat?

Production Assistant

What to Expect When You're Expecting (2012)

Motion Picture

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Production Assistant

Fright Night (2011)

Motion Picture

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Production Assistant

Priest (2011)

Motion Picture

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Production Assistant

Drive Angry (2011)

Motion Picture

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Production Assistant

Unthinkable (2010)

Motion Picture

Directed by: Gregor Jordan

Cinematography by: Oliver Stapleton

Edited by: Scott Chestnut

Production Assistant

Date Night (2010)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Production Assistant

The Mist (2007)

Motion Picture

Directed by: Frank Darabont

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Production Assistant

Elizabethtown (2005)

Motion Picture

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

Production Assistant

Big Fish (2003)

Motion Picture

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Second Second Assistant Director

Johnny Flynton (2002)

Short Film

Directed by: Lexi Alexander

Cinematography by: Alexander Buono

Edited by: Christopher Klonecke

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses

20254.20

Mark E. Brown

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First Assistant Director: Second Unit

Associate Director

Interim Second Second Assistant Director

Second Second Assistant Director

First Assistant Director: Second Unit

First Assistant Director: Additional Photography / Second Assistant Director

First Assistant Director: Additional Photography / Second Assistant Director

First Assistant Director: Additional Photography / Second Assistant Director

First Assistant Director: Additional Photography

First Assistant Director: Additional Photography

First Assistant Director: Additional Photography

First Assistant Director / Second Assistant Director - 5 Episodes, 2015

Additional Second Assistant Director

Additional 2nd Assistant Director

Assistant Director: Reshoots

Production Assistant

Additional Second Assistant Director

Assistant Director

Set Production Assistant

Production Assistant

Production Assistant

Production Assistant

Production Assistant

Production Assistant

Production Assistant

Production Assistant

Production Assistant

Production Assistant

Second Second Assistant Director