Mark E. Brown

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The Color Purple | ShotOnWhat?

First Assistant Director: Second Unit

The Color Purple (2023)

Directed by: Blitz Bazawule

Cinematography by: Dan Laustsen

Edited by: Jon Poll

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

"Unsolved Mysteries" 13 Minutes | ShotOnWhat?

Associate Director

'Unsolved Mysteries' 13 Minutes (2020)

Television Episode

Directed by: Jimmy Goldblum

Cinematography by: Zach Lowry

Edited by: Brad Grossman, Paul Yates

Game Night | ShotOnWhat?

Second Assistant Director: Second Unit

Game Night (2018)

Directed by: John Francis Daley, Jonathan Goldstein

Cinematography by: Barry Peterson

Edited by: David Egan, Jamie Gross, Gregory Plotkin

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera

Lenses: Cooke S4/i Lenses

First Man | ShotOnWhat?

Interim Second Second Assistant Director

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Black Panther | ShotOnWhat?

Second Second Assistant Director

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Baby Driver | ShotOnWhat?

First Assistant Director: Second Unit

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Into the Badlands | ShotOnWhat?

First Assistant Director / Second Assistant Director - 5 Episodes, 2015

Into the Badlands (2015)

TV Series

Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip

Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart

Edited by: Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

"Into the Badlands" Chapter VI: Hand of Five Poisons | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

'Into the Badlands' Chapter VI: Hand of Five Poisons (2015)

Television Episode

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Ray Daniels III

"Into the Badlands" Chapter V: Snake Creeps Down | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

'Into the Badlands' Chapter V: Snake Creeps Down (2015)

Television Episode

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Anthony Pinker

"Into the Badlands" Chapter IV: Two Tigers Subdue Dragons | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)

Television Episode

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Cedric Nairn-Smith, Vikash Patel

"Into the Badlands" Chapter III: White Stork Spreads Wings | ShotOnWhat?

First Assistant Director: Additional Photography

'Into the Badlands' Chapter III: White Stork Spreads Wings (2015)

Television Episode

Directed by: David Dobkin

Cinematography by: Shane Hurlbut

Edited by: Ray Daniels III

"Into the Badlands" Chapter II: Fist Like a Bullet | ShotOnWhat?

First Assistant Director: Additional Photography

'Into the Badlands' Chapter II: Fist Like a Bullet (2015)

Television Episode

Directed by: David Dobkin

Cinematography by: Shane Hurlbut

Edited by: Anthony Pinker

"Into the Badlands" Chapter I: The Fort | ShotOnWhat?

First Assistant Director: Additional Photography

'Into the Badlands' Chapter I: The Fort (2015)

Television Episode

Directed by: David Dobkin

Cinematography by: Shane Hurlbut

Edited by: Vikash Patel

22 Jump Street | ShotOnWhat?

Additional 2nd Assistant Director

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Dawn of the Planet of the Apes | ShotOnWhat?

Additional Second Assistant Director

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Homefront | ShotOnWhat?

Assistant Director

Homefront (2013)

Directed by: Gary Fleder

Cinematography by: Theo van de Sande

Edited by: Padraic McKinley

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Butler | ShotOnWhat?

Additional Second Assistant Director

The Butler (2013)

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Incredible Burt Wonderstone | ShotOnWhat?

Production Assistant

The Incredible Burt Wonderstone (2013)

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Assistant Director: Reshoots

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

What to Expect When You're Expecting | ShotOnWhat?

Production Assistant

What to Expect When You're Expecting (2012)

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Pitch Perfect | ShotOnWhat?

Set Production Assistant

Pitch Perfect (2012)

Directed by: Jason Moore

Cinematography by: Julio Macat

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA Camera

Drive Angry | ShotOnWhat?

Production Assistant

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Fright Night | ShotOnWhat?

Production Assistant

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Priest | ShotOnWhat?

Production Assistant

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Unthinkable | ShotOnWhat?

Production Assistant

Unthinkable (2010)

Directed by: Gregor Jordan

Cinematography by: Oliver Stapleton

Edited by: Scott Chestnut

Date Night | ShotOnWhat?

Production Assistant

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

The Mist | ShotOnWhat?

Production Assistant

The Mist (2007)

Directed by: Frank Darabont

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Elizabethtown | ShotOnWhat?

Production Assistant

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

Big Fish | ShotOnWhat?

Production Assistant

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Johnny Flynton | ShotOnWhat?

Second Second Assistant Director

Johnny Flynton (2002)

Directed by: Lexi Alexander

Cinematography by: Alexander Buono

Edited by: Christopher Klonecke

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses

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