Daragh Byrne

25 Titles

Is this you? Add a Profile

Rustin | ShotOnWhat?

Carpenter

Rustin (2023)

Directed by: George C. Wolfe

Cinematography by: Tobias A. Schliessler

Edited by: Andrew Mondshein

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Rental DNA LF Lenses

A Beautiful Day in the Neighborhood | ShotOnWhat?

Set Dresser

A Beautiful Day in the Neighborhood (2019)

Directed by: Marielle Heller

Cinematography by: Jody Lee Lipes

Edited by: Anne McCabe

Cameras: ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

"Mindhunter" Episode #1.1 | ShotOnWhat?

Gang Boss

'Mindhunter' Episode #1.1 (2017)

Television Episode

Directed by: David Fincher

Cinematography by: Christopher Probst

Edited by: Kirk Baxter

Mindhunter | ShotOnWhat?

Gang Boss - 1 Episode, 2017

Mindhunter (2017)

Television Series

Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik

Cinematography by: Erik Messerschmidt, Christopher Probst

Edited by: Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Cameras: Red Xenomorph Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Editing System: Adobe Premiere Editing System

Foxcatcher | ShotOnWhat?

Set Dresser

Foxcatcher (2014)

Directed by: Bennett Miller

Cinematography by: Greig Fraser

Edited by: Jay Cassidy, Stuart Levy, Conor O'Neill

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

Set Dresser: Cleveland

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Out of the Furnace | ShotOnWhat?

Set Dresser

Out of the Furnace (2013)

Directed by: Scott Cooper

Cinematography by: Masanobu Takayanagi

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Lifeguard | ShotOnWhat?

Construction Coordinator

The Lifeguard (2013)

Directed by: Liz W. Garcia

Cinematography by: John Peters

Edited by: Jennifer Davidoff Cook, Elizabeth Kling

Cameras: ARRI ALEXA Camera

The Avengers | ShotOnWhat?

Set Dresser

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

One for the Money | ShotOnWhat?

Carpenter

One for the Money (2012)

Directed by: Julie Anne Robinson

Cinematography by: Jim Whitaker

Edited by: Lisa Zeno Churgin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Abduction | ShotOnWhat?

Set Dresser

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Warrior | ShotOnWhat?

Set Dresser

Warrior (2011)

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Editing System: Avid Editing System

Unstoppable | ShotOnWhat?

Set Dresser

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Road | ShotOnWhat?

Carpenter: Pennsylvania

The Road (2009)

Directed by: John Hillcoat

Cinematography by: Javier Aguirresarobe

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Homecoming | ShotOnWhat?

Set Dresser

Homecoming (2009)

Directed by: Morgan J. Freeman

Cinematography by: John Burdick, Stephen Kazmierski

Edited by: Keith Reamer

Sorority Row | ShotOnWhat?

Carpenter

Sorority Row (2009)

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Adventureland | ShotOnWhat?

Carpenter

Adventureland (2009)

Directed by: Greg Mottola

Cinematography by: Terry Stacey

Edited by: Anne McCabe

The Butterfly Effect 3: Revelations | ShotOnWhat?

Carpenter

The Butterfly Effect 3: Revelations (2009)

Directed by: Seth Grossman

Cinematography by: Dan Stoloff

Edited by: Ed Marx

My Bloody Valentine | ShotOnWhat?

Carpenter

My Bloody Valentine (2009)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Cynthia Ludwig, Patrick Lussier

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Constantine | ShotOnWhat?

Carpenter

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

13 Going on 30 | ShotOnWhat?

Carpenter

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Deep End of the Ocean | ShotOnWhat?

Propmaker Gang Boss

The Deep End of the Ocean (1999)

Directed by: Ulu Grosbard

Cinematography by: Stephen Goldblatt

Edited by: John Bloom

The Replacement Killers | ShotOnWhat?

Carpenter

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Gattaca | ShotOnWhat?

Carpenter

Gattaca (1997)

Directed by: Andrew Niccol

Cinematography by: Slawomir Idziak

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX Camera, Moviecam Cameras

Don't Look Back | ShotOnWhat?

Construction Coordinator

Don't Look Back (1996)

Television Movie

Directed by: Geoff Murphy

Cinematography by: Mark Irwin

Edited by: Dan Lebental

©2012 - 2024 ShotOnWhat?

20254.20