Claire Hassig

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Causeway | ShotOnWhat?

Scenic Charge

Causeway (2022)

Directed by: Lila Neugebauer

Cinematography by: Diego García

Edited by: Robert Frazen, Lucian Johnston

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision H Series Lenses

Geostorm | ShotOnWhat?

Lead Scenic: Additional Photography / Set Dressing Painter

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Mudbound | ShotOnWhat?

Scenic Artist

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Logan | ShotOnWhat?

Scenic Artist

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Scenic Foreman

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Set Dec Paint Foreman

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

"American Horror Story" Massacres and Matinees | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Massacres and Matinees (2014)

Television Episode

Directed by: Alfonso Gomez-Rejon

Cinematography by: Michael Goi

Edited by: Regis Kimble

"American Horror Story" Monsters Among Us | ShotOnWhat?

Signwriter

'American Horror Story' Monsters Among Us (2014)

Television Episode

Directed by: Ryan Murphy

Cinematography by: Michael Goi

Edited by: Adam Penn

"American Horror Story" The Seven Wonders | ShotOnWhat?

Scenic/signwriter

'American Horror Story' The Seven Wonders (2014)

Television Episode

Directed by: Alfonso Gomez-Rejon

Cinematography by: Michael Goi, Tom Houghton

Edited by: Fabienne Bouville, Bradley Buecker, Stewart Schill

"American Horror Story" Go to Hell | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Go to Hell (2014)

Television Episode

Directed by: Alfonso Gomez-Rejon

Cinematography by: Michael Goi

Edited by: Fabienne Bouville

"American Horror Story" Protect the Coven | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Protect the Coven (2014)

Television Episode

Directed by: Bradley Buecker

Cinematography by: Tom Houghton

Edited by: Stewart Schill

"American Horror Story" The Magical Delights of Stevie Nicks | ShotOnWhat?

Scenic/signwriter

'American Horror Story' The Magical Delights of Stevie Nicks (2014)

Television Episode

Directed by: Alfonso Gomez-Rejon

Cinematography by: Michael Goi

Edited by: Regis Kimble

Oblivion | ShotOnWhat?

Set Dec Paint Foreman

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

G.I. Joe: Retaliation | ShotOnWhat?

Scenic Artist / Sign Writer

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

"American Horror Story" Head | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Head (2013)

Television Episode

Directed by: Howard Deutch

Cinematography by: Tom Houghton

Edited by: Fabienne Bouville

"American Horror Story" The Sacred Taking | ShotOnWhat?

Scenic/signwriter

'American Horror Story' The Sacred Taking (2013)

Television Episode

Directed by: Alfonso Gomez-Rejon

Cinematography by: Michael Goi

Edited by: Stewart Schill

"American Horror Story" Boy Parts | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Boy Parts (2013)

Television Episode

Directed by: Michael Rymer

Cinematography by: Michael Goi

Edited by: Fabienne Bouville

"American Horror Story" The Replacements | ShotOnWhat?

Scenic/signwriter

'American Horror Story' The Replacements (2013)

Television Episode

Directed by: Alfonso Gomez-Rejon

Cinematography by: Michael Goi

Edited by: Regis Kimble

"American Horror Story" Fearful Pranks Ensue | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Fearful Pranks Ensue (2013)

Television Episode

Directed by: Michael Uppendahl

Cinematography by: Michael Goi

Edited by: Stewart Schill

"American Horror Story" Burn, Witch. Burn! | ShotOnWhat?

Scenic/signwriter

'American Horror Story' Burn, Witch. Burn! (2013)

Television Episode

Directed by: Jeremy Podeswa

Cinematography by: Michael Goi

Edited by: Adam Penn

"American Horror Story" The Axeman Cometh | ShotOnWhat?

Scenic/signwriter

'American Horror Story' The Axeman Cometh (2013)

Television Episode

Directed by: Michael Uppendahl

Cinematography by: Michael Goi

Edited by: Fabienne Bouville

"American Horror Story" The Dead | ShotOnWhat?

Scenic/signwriter

'American Horror Story' The Dead (2013)

Television Episode

Directed by: Bradley Buecker

Cinematography by: Tom Houghton

Edited by: Regis Kimble

Battleship | ShotOnWhat?

Scenic Artist

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Contraband | ShotOnWhat?

Scenic/signwriter

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

The Campaign | ShotOnWhat?

Signwriter

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Green Lantern | ShotOnWhat?

Signwriter/scenic

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Straw Dogs | ShotOnWhat?

Scenic/signwriter

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

American Horror Story | ShotOnWhat?

Scenic/signwriter / Signwriter - 14 Episodes, 2013-2014

American Horror Story (2011)

Television Series

Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba

Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman

Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Lenses, Panavision Lenses

Tekken | ShotOnWhat?

Signwriter/scenic

Tekken (2010)

Directed by: Dwight H. Little

Cinematography by: Brian J. Reynolds

Edited by: David Checel

Jonah Hex | ShotOnWhat?

Scenic Gangboss

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Secretariat | ShotOnWhat?

Signwriter

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

I Love You Phillip Morris | ShotOnWhat?

Signwriter/scenic

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

The Curious Case of Benjamin Button | ShotOnWhat?

Scenic Artist

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

There Will Be Blood | ShotOnWhat?

Scenic Artist

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Failure to Launch | ShotOnWhat?

Scenic Artist

Failure to Launch (2006)

Directed by: Tom Dey

Cinematography by: Claudio Miranda

Edited by: Steven Rosenblum

Glory Road | ShotOnWhat?

Painter/signwriter

Glory Road (2006)

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

All the King's Men | ShotOnWhat?

Signwriter

All the King's Men (2006)

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Deja Vu | ShotOnWhat?

Painter

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

The Good Shepherd | ShotOnWhat?

Scenic Artist

The Good Shepherd (2006)

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

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