Peter Gelfman

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The Intern | ShotOnWhat?

Property Master

The Intern (2015)

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Property Master: New York

Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

This Is Where I Leave You | ShotOnWhat?

Property Master

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Winter's Tale | ShotOnWhat?

Property Master

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oblivion | ShotOnWhat?

Prop Master: New York

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

The Heat | ShotOnWhat?

Property Master

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Jack Reacher | ShotOnWhat?

Property Master

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Friends with Benefits | ShotOnWhat?

Property Master: New York

Friends with Benefits (2011)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony CineAlta F35 Camera, Sony Other Camera

Lenses: Panavision Primo Anamorphic Lenses

Tower Heist | ShotOnWhat?

Property Master

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Limitless | ShotOnWhat?

Property Master

Limitless (2011)

Directed by: Neil Burger

Cinematography by: Jo Willems

Edited by: Tracy Adams, Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Salt | ShotOnWhat?

Property Master

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Eat Pray Love | ShotOnWhat?

Property Master

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Confessions of a Shopaholic | ShotOnWhat?

Property Master

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

College Road Trip | ShotOnWhat?

Property Master

College Road Trip (2008)

Directed by: Roger Kumble

Cinematography by: Theo van de Sande

Edited by: Roger Bondelli

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Property Master: Connecticut

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

American Gangster | ShotOnWhat?

Property Master

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Spider-Man 3 | ShotOnWhat?

Property Master: New York

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Michael Clayton | ShotOnWhat?

Property Master

Michael Clayton (2007)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Fur: An Imaginary Portrait of Diane Arbus | ShotOnWhat?

Property Master

Fur: An Imaginary Portrait of Diane Arbus (2006)

Directed by: Steven Shainberg

Cinematography by: Bill Pope

Edited by: Kristina Boden, Keiko Deguchi

War of the Worlds | ShotOnWhat?

Property Master: New York

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

13 Going on 30 | ShotOnWhat?

Property Master: New York

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Anything Else | ShotOnWhat?

Property Master

Anything Else (2003)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Duplex | ShotOnWhat?

Property Master: New York

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Brown Sugar | ShotOnWhat?

Property Master

Brown Sugar (2002)

Directed by: Rick Famuyiwa

Cinematography by: Jeff Barnett, Enrique Chediak

Edited by: Dirk Westervelt

Hollywood Ending | ShotOnWhat?

Property Master

Hollywood Ending (2002)

Directed by: Woody Allen

Cinematography by: Wedigo von Schultzendorff

Edited by: Alisa Lepselter

Men in Black II | ShotOnWhat?

Property Master: New York

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Curse of the Jade Scorpion | ShotOnWhat?

Property Master

The Curse of the Jade Scorpion (2001)

Directed by: Woody Allen

Cinematography by: Fei Zhao

Edited by: Alisa Lepselter

Mickey Blue Eyes | ShotOnWhat?

Property Master

Mickey Blue Eyes (1999)

Directed by: Kelly Makin

Cinematography by: Donald E. Thorin

Edited by: David Freeman

Sweet and Lowdown | ShotOnWhat?

Property Master

Sweet and Lowdown (1999)

Directed by: Woody Allen

Cinematography by: Fei Zhao

Edited by: Alisa Lepselter

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Celebrity | ShotOnWhat?

Property Master

Celebrity (1998)

Directed by: Woody Allen

Cinematography by: Sven Nykvist

Edited by: Susan E. Morse

Godzilla | ShotOnWhat?

Property Master: New York

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Deconstructing Harry | ShotOnWhat?

Property Master

Deconstructing Harry (1997)

Directed by: Woody Allen

Cinematography by: Carlo Di Palma

Edited by: Susan E. Morse

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Men in Black | ShotOnWhat?

Property Master: New York

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Dead Presidents | ShotOnWhat?

Lead Man

Dead Presidents (1995)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Lisa Rinzler

Edited by: Dan Lebental

Cameras: Panavision Panaflex Gold II Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Nobody's Fool | ShotOnWhat?

Lead Man

Nobody's Fool (1994)

Directed by: Robert Benton

Cinematography by: John Bailey

Edited by: John Bloom

Cameras: ARRI Cameras

I.Q. | ShotOnWhat?

Lead Person

I.Q. (1994)

Directed by: Fred Schepisi

Cinematography by: Ian Baker

Edited by: Jill Bilcock

The Paper | ShotOnWhat?

Set Dresser

The Paper (1994)

Directed by: Ron Howard

Cinematography by: John Seale

Edited by: Daniel P. Hanley, Mike Hill

Six Degrees of Separation | ShotOnWhat?

Leadman

Six Degrees of Separation (1993)

Directed by: Fred Schepisi

Cinematography by: Ian Baker

Edited by: Peter Honess

The Last of the Mohicans | ShotOnWhat?

On-set Dresser

The Last of the Mohicans (1992)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Strictly Business | ShotOnWhat?

Leadman

Strictly Business (1991)

Directed by: Kevin Hooks, Rolando Hudson

Cinematography by: Zoltán David

Edited by: Richard Nord

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