Hair Department Head
The Holdovers (2023)
Movie
Directed by: Alexander Payne
Cinematography by: Eigil Bryld
Edited by: Kevin Tent
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Lenses, Zeiss Lenses
Hair Department Head / Hair Designer
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Hair Stylist
Entourage (2015)
Directed by: Doug Ellin
Cinematography by: Steven Fierberg
Edited by: Jeff Groth
Cameras: ARRICAM Lite (LT) Camera
Hair Stylist
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Hairstylist: Jim Carrey
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Background Supervisor / Hair Stylist
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Hairdresser: Mr. Cruise
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Department Head Hair
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Hair Stylist: Mr. Cruise
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Hair Stylist: Tom Cruise
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Hair Supervisor
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Department Head: Hair
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Department Head Hair
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Hair Stylist
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Hair Department Head
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Hair Department Head
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Key Hair Stylist
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Hair Stylist: Val Kilmer
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Hair Stylist
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Hair Stylist: Dustin Hoffman
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Hair Stylist: Mr. Hoffman
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Hair Stylist: Mr. Slater
Julian Po (1997)
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
Hair Styles Supervisor
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Supervising Hair Stylist / Supervising Makeup Artist
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Key Hair Stylist
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Key Hair Stylist
Dangerous Touch (1994)
Directed by: Lou Diamond Phillips
Edited by: Christopher Rouse
Hair Stylist
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses