Colin Garza

18 Titles

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Blood Father | ShotOnWhat?

Key Set Production Assistant

Blood Father (2016)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Steven Rosenblum

Jane Got a Gun | ShotOnWhat?

Production Assistant

Jane Got a Gun (2015)

Directed by: Gavin O'Connor

Cinematography by: Mandy Walker

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Sicario | ShotOnWhat?

Production Assistant

Sicario (2015)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Good Kill | ShotOnWhat?

Production Assistant

Good Kill (2014)

Directed by: Andrew Niccol

Cinematography by: Amir Mokri

Edited by: Zach Staenberg

The Homesman | ShotOnWhat?

Set Production Assistant

The Homesman (2014)

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

We're the Millers | ShotOnWhat?

Set Production Assistant

We're the Millers (2013)

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Lone Ranger | ShotOnWhat?

Set Production Assistant: Second Unit

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Last Stand | ShotOnWhat?

Set Production Assistant: Second Unit

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Avengers | ShotOnWhat?

Set Production Assistant

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Cowboys & Aliens | ShotOnWhat?

Production Assistant

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Thor | ShotOnWhat?

Set Production Assistant: Second Unit, New Mexico

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Let Me In | ShotOnWhat?

Set Production Assistant

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Observe and Report | ShotOnWhat?

Set Production Assistant

Observe and Report (2009)

Directed by: Jody Hill

Cinematography by: Tim Orr

Edited by: Zene Baker

Did You Hear About the Morgans? | ShotOnWhat?

Set Production Assistant

Did You Hear About the Morgans? (2009)

Directed by: Marc Lawrence

Cinematography by: Florian Ballhaus

Edited by: Susan E. Morse

Cameras: ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Doc West | ShotOnWhat?

Second Second Assistant Director

Doc West (2009)

Television Movie

Directed by: Giulio Base, Terence Hill

Cinematography by: Massimiliano Trevis

Edited by: Roberto Siciliano

Crazy Heart | ShotOnWhat?

Set Production Assistant

Crazy Heart (2009)

Directed by: Scott Cooper

Cinematography by: Barry Markowitz

Edited by: John Axelrad, Jeffrey Ford

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Appaloosa | ShotOnWhat?

Set Production Assistant

Appaloosa (2008)

Directed by: Ed Harris

Cinematography by: Dean Semler

Edited by: Kathryn Himoff

Shoot First and Pray You Live (Because Luck Has Nothing to Do with It) | ShotOnWhat?

Set Production Assistant

Shoot First and Pray You Live (Because Luck Has Nothing to Do with It) (2008)

Directed by: Lance Doty

Cinematography by: Bruce McCleery

Edited by: Charly Bender

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