Patricia Keighran

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Crimson Peak | ShotOnWhat?

Assistant Makeup Department Head

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Spotlight | ShotOnWhat?

Key Makeup Artist

Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Pacific Rim | ShotOnWhat?

Key Makeup Artist

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Total Recall | ShotOnWhat?

Key Makeup Artist

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

Key Makeup Artist

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

RED | ShotOnWhat?

Key Makeup

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

The Eclipse | ShotOnWhat?

Makeup Daily

The Eclipse (2009)

Directed by: Conor McPherson

Cinematography by: Ivan McCullough

Edited by: Emer Reynolds

Hairspray | ShotOnWhat?

Assistant Head Of Makeup Department

Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Shall We Dance | ShotOnWhat?

First Assistant Makeup Artist

Shall We Dance (2004)

Directed by: Peter Chelsom

Cinematography by: John de Borman

Edited by: Charles Ireland, Robert Leighton

Cameras: ARRI Cameras

Mean Girls | ShotOnWhat?

Makeup Artist

Mean Girls (2004)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

The Music Man | ShotOnWhat?

Assistant Makeup Department Head

The Music Man (2003)

Television Movie

Directed by: Jeff Bleckner

Cinematography by: James Chressanthis

Edited by: Bryan M. Horne, Geoffrey Rowland

Chicago | ShotOnWhat?

Makeup Assistant

Chicago (2002)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

The Familiar Stranger | ShotOnWhat?

Key Makeup Artist

The Familiar Stranger (2001)

Television Movie

Directed by: Alan Metzger

Cinematography by: Rhett Morita

Edited by: Pamela Malouf

All I Wanna Do | ShotOnWhat?

Makeup Artist

All I Wanna Do (1998)

Directed by: Sarah Kernochan

Cinematography by: Tony C. Jannelli

Edited by: Anita Brandt Burgoyne, Peter C. Frank

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Bone Daddy | ShotOnWhat?

Assistant Makeup Artist

Bone Daddy (1998)

Directed by: Mario Azzopardi

Cinematography by: Danny Nowak

Edited by: Dean Balser

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