Maureen 'Mo' Crutchfield

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The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Production Accountant

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Production Accountant

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Life of Pi | ShotOnWhat?

Location Accountant: India

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Ruby Sparks | ShotOnWhat?

Production Accountant

Ruby Sparks (2012)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Matthew Libatique

Edited by: Pamela Martin

Lenses: Cooke Speed Panchro Lenses

Post Production Accountant

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

What Happens in Vegas | ShotOnWhat?

Production Accountant

What Happens in Vegas (2008)

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

A Good Year | ShotOnWhat?

Production Accountant

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ray | ShotOnWhat?

Post-production Accountant

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

I, Robot | ShotOnWhat?

Production Accountant

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Bruce Almighty | ShotOnWhat?

First Assistant Accountant

Bruce Almighty (2003)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

The Scorpion King | ShotOnWhat?

Accountant: Second Unit

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Joe Somebody | ShotOnWhat?

First Assistant Accountant

Joe Somebody (2001)

Directed by: John Pasquin

Cinematography by: Daryn Okada

Edited by: David Finfer

X-Men | ShotOnWhat?

Accountant: Visual Effects Unit

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Office Space | ShotOnWhat?

Post-production Accountant

Office Space (1999)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

Bulworth | ShotOnWhat?

Post-production Accountant

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

The Edge | ShotOnWhat?

Post-production Accountant

The Edge (1997)

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Home Alone 3 | ShotOnWhat?

Post-production Accountant

Home Alone 3 (1997)

Directed by: Raja Gosnell

Cinematography by: Julio Macat

Edited by: Malcolm Campbell, Bruce Green, David Rennie

Cameras: Panavision Panaflex Gold Camera

One Fine Day | ShotOnWhat?

First Assistant Accountant

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

James and the Giant Peach | ShotOnWhat?

Assistant Accountant

James and the Giant Peach (1996)

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

The New Age | ShotOnWhat?

First Assistant Accountant

The New Age (1994)

Directed by: Michael Tolkin

Cinematography by: John J. Campbell

Edited by: Suzanne Fenn

Last Action Hero | ShotOnWhat?

First Assistant Accountant

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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