Mario Tomas-Niedworok

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Overboard | ShotOnWhat?

Head Painter / Paint Coordinator

Overboard (2018)

Directed by: Rob Greenberg

Cinematography by: Michael Barrett

Edited by: Lee Haxall

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

Tully | ShotOnWhat?

Paint Coordinator

Tully (2018)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Stefan Grube

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Tomorrowland | ShotOnWhat?

Head Paint Coordinator

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Man of Steel | ShotOnWhat?

Head Paint Coordinator

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Head Paint Coordinator

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Sucker Punch | ShotOnWhat?

Head Scenic Artist

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Rise of the Planet of the Apes | ShotOnWhat?

Paint Coordinator

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

TRON | ShotOnWhat?

Head Scenic Artist

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Tooth Fairy | ShotOnWhat?

Paint Coordinator

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Watchmen | ShotOnWhat?

Paint Coordinator

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Paint Coordinator

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Things We Lost in the Fire | ShotOnWhat?

Paint Coordinator

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

The Invisible | ShotOnWhat?

Scenic Artist

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

Snakes on a Plane | ShotOnWhat?

Paint Coordinator

Snakes on a Plane (2006)

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

Eragon | ShotOnWhat?

Paint Coordinator

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Night at the Museum | ShotOnWhat?

Paint Coordinator

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Once Upon a Mattress | ShotOnWhat?

Paint Coordinator

'The Wonderful World of Disney' Once Upon a Mattress (2005)

Television Episode, Television Movie

Directed by: Kathleen Marshall

Cinematography by: Robert McLachlan

Edited by: Scott Vickrey

The Core | ShotOnWhat?

Scenic Artist

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X2 | ShotOnWhat?

Paint Foreman

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Eye See You | ShotOnWhat?

Scenic Artist

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Mission to Mars | ShotOnWhat?

Scenic Artist

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Snow Falling on Cedars | ShotOnWhat?

Scenic Artist

Snow Falling on Cedars (1999)

Directed by: Scott Hicks

Cinematography by: Robert Richardson

Edited by: Hank Corwin

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

The 13th Warrior | ShotOnWhat?

Scenic Artist

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Seven Years in Tibet | ShotOnWhat?

Scenic Artist

Seven Years in Tibet (1997)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Gold Diggers: The Secret of Bear Mountain | ShotOnWhat?

Scenic Painter

Gold Diggers: The Secret of Bear Mountain (1995)

Directed by: Kevin James Dobson

Cinematography by: Ross Berryman

Edited by: Stephen Butler

The Surgeon | ShotOnWhat?

Scenic Painter

The Surgeon (1995)

Directed by: Carl Schenkel

Cinematography by: Thomas Burstyn

Edited by: Jimmy B. Frazier

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