Virle S. Reid

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"1923" War and the Turquoise Tide | ShotOnWhat?

Armorer

'1923' War and the Turquoise Tide (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe, Byron Smith

"1923" The War Has Come Home | ShotOnWhat?

Armorer

'1923' The War Has Come Home (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

Lawmen: Bass Reeves | ShotOnWhat?

Armorer - 3 Episodes, 2023

Lawmen: Bass Reeves (2023)

Television Series

Directed by: Christina Alexandra Voros, Damian Marcano

Cinematography by: Christina Alexandra Voros, Dino Parks

Edited by: Christopher Gay, Jonny Converse, Michael Griffin, Shannon Mitchell, Ishai Setton

1923 | ShotOnWhat?

Armorer - 2 Episodes, 2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

Gemini Man | ShotOnWhat?

Additional Armorer

Gemini Man (2019)

Directed by: Ang Lee

Cinematography by: Dion Beebe

Edited by: Tim Squyres

Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses: Leitz Summilux-C Series Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Armorer: Second Unit

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

2 Guns | ShotOnWhat?

Additional Armorer

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Ender's Game | ShotOnWhat?

Assistant Property Master

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Percy Jackson: Sea of Monsters | ShotOnWhat?

Assistant Property Master: Reshoots

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Second Assistant Property Master

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

21 Jump Street | ShotOnWhat?

Property Master: Second Unit

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Looper | ShotOnWhat?

Additional Props / Property Master: Second Unit

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Battleship | ShotOnWhat?

Property Assistant: Baton Rouge

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Battle Los Angeles | ShotOnWhat?

Second Assistant Property Master

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

Assistant Property Master: New Orleans

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Father of Invention | ShotOnWhat?

Assistant Props

Father of Invention (2010)

Directed by: Trent Cooper

Cinematography by: Steve Yedlin

Edited by: Heather Persons

The Expendables | ShotOnWhat?

Additional Props

The Expendables (2010)

Directed by: Sylvester Stallone

Cinematography by: Jeffrey L. Kimball

Edited by: Ken Blackwell, Paul Harb

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Final Destination | ShotOnWhat?

Props

The Final Destination (2009)

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

The Curious Case of Benjamin Button | ShotOnWhat?

Additional Props

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

The Great Debaters | ShotOnWhat?

Assistant Property Master

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Reaping | ShotOnWhat?

Props

The Reaping (2007)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

Mr. Brooks | ShotOnWhat?

Additional Weapon Props

Mr. Brooks (2007)

Directed by: Bruce A. Evans

Cinematography by: John Lindley

Edited by: Miklos Wright

Deja Vu | ShotOnWhat?

Props

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Idiocracy | ShotOnWhat?

Set Dresser

Idiocracy (2006)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

Infamous | ShotOnWhat?

Additional Set Dresser

Infamous (2006)

Directed by: Douglas McGrath

Cinematography by: Bruno Delbonnel

Edited by: Camilla Toniolo

Bug | ShotOnWhat?

Assistant Property Master

Bug (2006)

Directed by: William Friedkin

Cinematography by: Michael Grady

Edited by: Darrin Navarro

The Alamo | ShotOnWhat?

Armorer

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Friday Night Lights | ShotOnWhat?

Property Master: Second Unit / Set Dresser

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

Office Space | ShotOnWhat?

Additional Props

Office Space (1999)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

The Sixth Sense | ShotOnWhat?

Production Assistant

The Sixth Sense (1999)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Faculty | ShotOnWhat?

Property Assistant

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Beloved | ShotOnWhat?

Set Production Assistant

Beloved (1998)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Andy Keir, Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Buffalo Soldiers | ShotOnWhat?

Props Assistant

Buffalo Soldiers (1997)

Television Movie

Directed by: Charles Haid

Cinematography by: William Wages

Edited by: Andrew Doerfer

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