Cindy M. Ichikawa

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Avengers: Endgame | ShotOnWhat?

Art Department Coordinator: Additional Photography Unit

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Roman J. Israel, Esq. | ShotOnWhat?

Art Department Coordinator

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Logan | ShotOnWhat?

Art Department Coordinator

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghostbusters | ShotOnWhat?

Art Department Coordinator

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Straight Outta Compton | ShotOnWhat?

Art Department Coordinator

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Divergent | ShotOnWhat?

Art Department Coordinator

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Trouble with the Curve | ShotOnWhat?

Art Department Coordinator

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Hunger Games | ShotOnWhat?

Art Department Coordinator

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jack and Jill | ShotOnWhat?

Art Department Coordinator

Jack and Jill (2011)

Directed by: Dennis Dugan

Cinematography by: Dean Cundey

Edited by: Tom Costain

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Help | ShotOnWhat?

Art Department Coordinator

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Somewhere | ShotOnWhat?

Art Department Coordinator

Somewhere (2010)

Directed by: Sofia Coppola

Cinematography by: Harris Savides

Edited by: Sarah Flack

The Social Network | ShotOnWhat?

Art Department Coordinator

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

Gran Torino | ShotOnWhat?

Assistant Production Coordinator

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

An American Carol | ShotOnWhat?

Coordinator

An American Carol (2008)

Directed by: David Zucker

Cinematography by: Brian Baugh

Edited by: Vashi Nedomansky

Disturbia | ShotOnWhat?

Art Department Coordinator

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Reaping | ShotOnWhat?

Coordinator

The Reaping (2007)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

Taking Lives | ShotOnWhat?

Coordinator

Taking Lives (2004)

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Anne V. Coates

Timeline | ShotOnWhat?

Production Coordinator: Desert Unit

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Star Trek: Nemesis | ShotOnWhat?

Transportation Office Coordinator

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Stuart Little 2 | ShotOnWhat?

Special Effects Office Coordinator

Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

Star Trek: Insurrection | ShotOnWhat?

Production Supervisor

Star Trek: Insurrection (1998)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses

Star Trek: First Contact | ShotOnWhat?

Assistant Production Office Coordinator

Star Trek: First Contact (1996)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision C Series Anamorphic Lenses

The Sunchaser | ShotOnWhat?

Assistant To Director/producer

The Sunchaser (1996)

Directed by: Michael Cimino

Cinematography by: Douglas Milsome

Edited by: Joe D'Augustine

The Crow: City of Angels | ShotOnWhat?

Assistant Production Coordinator: Second Unit

The Crow: City of Angels (1996)

Directed by: Tim Pope

Cinematography by: Jean-Yves Escoffier

Edited by: Michael N. Knue, Anthony Redman

Mrs. Doubtfire | ShotOnWhat?

Set Production Assistant

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Wayne's World 2 | ShotOnWhat?

Assistant Production Office Coordinator

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

Out on a Limb | ShotOnWhat?

Production Assistant

Out on a Limb (1992)

Directed by: Francis Veber

Cinematography by: Donald E. Thorin

Edited by: Barry Dresner, Glenn Farr

Cameras: Panavision Cameras

Basic Instinct | ShotOnWhat?

Set Production Assistant: Los Angeles

Basic Instinct (1992)

Directed by: Paul Verhoeven

Cinematography by: Jan de Bont

Edited by: Frank J. Urioste

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

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