Prosthetic Manufacturing Department: KNB EFX Group
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Special Effects Technician: KNB EFX Group
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Art Department: KNB EFX Group / Special Effects Technician: KNB EFX Group
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Makeup Effects Art Department: K.N.B. Effects Group
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Special Effects Technician: KNB EFX Group
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Art Department: KNB EFX Group
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Technician: KNB EFX Group
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Foam Latex Technician: ADI Inc.
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Foam Latex Technician: ADI Inc.
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Special Effects Technician: KNB EFX Group
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Technician: KNB EFX Group
Parasomnia (2008)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Anthony Adler
Laboratory Technician: KNB EFX
Grindhouse (2007)
Special Makeup Effects Art Department: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Silicone Department: KNB EFX Group
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Lab Technician: KNB EFX Group / Special Effects Technician: KNB EFX Group
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Department: K.N.B. Effects Group
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Lab Technician
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Makeup Effects On-set Technician: K.N.B. Effects Group, On Set Technician: KNB EFX Group
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Lab Technician: K.N.B. EFX Group
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Lab Technician: K.N.B. EFX Group
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
