Special Effects Foreman
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Special Effects
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Special Effects Assistant
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Props
'In Plain Sight' Provo-Cation (2011)
Directed by: Bryan Spicer
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Props
'In Plain Sight' Crazy Like a Witness (2011)
Directed by: Matthew Penn
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Props
'In Plain Sight' Love in the Time of Colorado (2011)
Directed by: Michael Schultz
Edited by: Regis Kimble
Props
'In Plain Sight' Girls, Interrupted (2011)
Directed by: Lee Rose
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Props
'In Plain Sight' The Art of the Steal (2011)
Directed by: Dan Lerner
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Props
'In Plain Sight' The Rolling Stones (2011)
Directed by: David Warren
Cinematography by: John B. Aronson
Edited by: Regis Kimble
Special Effects Foreman
The Sunset Limited (2011)
Directed by: Tommy Lee Jones
Cinematography by: Paul Elliott
Welder
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Special Effects Foreman
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Assistant Special Effects Coordinator
Dark Country (2009)
Directed by: Thomas Jane
Cinematography by: Geoff Boyle
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Lenses: Angenieux Lenses, Schneider Lenses
Props - 9 Episodes, 2011
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Special Effects Foreman
Linewatch (2008)
Directed by: Kevin Bray
Cinematography by: Paul M. Sommers
Edited by: Robert Ivison
Special Effects Coordinator
Hamlet 2 (2008)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Special Effects Foreman
Conspiracy (2008)
Directed by: Adam Marcus
Cinematography by: Ben Weinstein
Edited by: Eric L. Beason
Special Effects Foreman
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Special Effects Coordinator
Sex and Lies in Sin City (2008)
Directed by: Peter Medak
Cinematography by: Anthony B. Richmond
Edited by: Richard Nord
Special Effects Coordinator
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Special Effects Set Foreman
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
Special Effects Coordinator
Urban Justice (2007)
Directed by: Don E. FauntLeRoy
Cinematography by: Don E. FauntLeRoy
Edited by: Scott Conrad
Special Effects Coordinator
The Flock (2007)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Enrique Chediak
Special Effects Technician
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Special Effects Technician
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Mechanical Effects Coordinator
The Quiet (2005)
Directed by: Jamie Babbit
Cinematography by: M. David Mullen
Edited by: Joan Sobel
Greensman
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Special Effects Foreman
The Rookie (2002)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Special Effects Coordinator
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Special Effects Supervisor: Second Unit Coordinator
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Effects Supervisor
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Special Effects Supervisor
A Slipping-Down Life (1999)
Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne
Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera
Special Effects Foreman
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Special Effects Supervisor
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Special Effects Supervisor
Once Upon a Time in China and America (1997)
Directed by: Sammo Kam-Bo Hung
Cinematography by: Walter Gregg
Edited by: Marco Mak
Special Effects Supervisor
Bottle Rocket (1996)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Special Effects
Blank Check (1994)
Directed by: Rupert Wainwright
Cinematography by: Bill Pope
Cameras: Panavision Cameras
Special Effects Assistant
Love and a .45 (1994)
Directed by: C.M. Talkington
Cinematography by: Tom Richmond
Edited by: Bob Ducsay
Special Effects Supervisor
Flesh and Bone (1993)
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
Production Secretary
Stone Cold (1991)
Directed by: Craig R. Baxley
Cinematography by: Alexander Gruszynski
Special Effects Supervisor
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
