Executive In Charge Of Production
Why Him? (2016)
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Executive In Charge Of Production
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Executive In Charge Of Production
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
EVP & Head Of Physical Production
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Executive In Charge Of Production
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
EVP & Head Of Physical Production
The Darkest Hour (2011)
Directed by: Chris Gorak
Cinematography by: Scott Kevan
Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Executive In Charge Of Production
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
EVP & Head Of Physical Production
Love & Other Drugs (2010)
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
EVP & Head Of Physical Production
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
EVP & Head Of Physical Production
Bride Wars (2009)
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
EVP & Head Of Physical Production
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
EVP & Head Of Physical Production
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Executive In Charge Of Production
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
EVP & Head Of Physical Production
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
EVP & Head Of Physical Production
Deck the Halls (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
EVP & Head Of Physical Production
Little Manhattan (2005)
Directed by: Mark Levin
Cinematography by: Tim Orr
Edited by: Alan Edward Bell
Editing System: Final Cut Pro Editing System
Executive In Charge Of Production
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
EVP & Head Of Physical Production
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
EVP & Head Of Physical Production
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
EVP & Head Of Physical Production
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
EVP & Head Of Physical Production
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Executive In Charge Of Production
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
EVP & Head Of Physical Production
Kung Pow: Enter the Fist (2002)
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
EVP & Head Of Physical Production
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Executive In Charge Of Production
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
EVP & Head Of Physical Production
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Executive In Charge Of Production
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Executive In Charge Of Production
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Executive In Charge Of Production
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
EVP/Head Of Physical Production
Tigerland (2000)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Executive In Charge Of Production
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
EVP & Head Of Physical Production
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Executive In Charge Of Production
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Executive In Charge Of Production
There's Something About Mary (1998)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Associate Producer
Devil in a Blue Dress (1995)
Directed by: Carl Franklin
Cinematography by: Tak Fujimoto
Edited by: Carole Kravetz Aykanian
Financial Representative
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Financial Representative
Miami Blues (1990)
Directed by: George Armitage
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: ARRI Cameras
Financial Consultant
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Production Auditor
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Assistant Production Auditor
The Pick-up Artist (1987)
Directed by: James Toback
Cinematography by: Gordon Willis
Assistant Auditor
F/X (1986)
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings
Cameras: Panavision Cameras
Assistant Auditor
Desperately Seeking Susan (1985)
Directed by: Susan Seidelman
Cinematography by: Edward Lachman
Edited by: Andrew Mondshein
