Nicolas Delbecq

19 Titles

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Black Panther: Wakanda Forever | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Lenses: Panavision Anamorphic Macro Panatar Lenses, Panavision B Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Effects Supervisor: Industrial Light & Magic

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Ready Player One | ShotOnWhat?

Effects Supervisor: Industrial Light & Magic

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Penguins of Madagascar | ShotOnWhat?

Effects Developer: Dreamworks Animation

Penguins of Madagascar (2014)

Directed by: Eric Darnell, Simon J. Smith

Edited by: Nick Kenway

Thor: The Dark World | ShotOnWhat?

Lead Effects Technical Director: Double Negative

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Rush | ShotOnWhat?

Effects Sequence Supervisor: Double Negative London

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

John Carter | ShotOnWhat?

Effects Artist: Double Negative

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Total Recall | ShotOnWhat?

Lead Effects Technical Director

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Senior Effects Technical Director: Double Negative

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Christopher Roth | ShotOnWhat?

Visual Effects Artist

Christopher Roth (2010)

Directed by: Maxime Alexandre

Cinematography by: Maxime Alexandre

Cameras: Red One Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Senior Effects Technical Director: Rising Sun Pictures

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Point Blank | ShotOnWhat?

On Set Supervisor

Point Blank (2010)

Directed by: Fred Cavayé

Cinematography by: Alain Duplantier

Edited by: Benjamin Weill

Espion(s) | ShotOnWhat?

Digital Effects Artist

Espion(s) (2009)

Directed by: Nicolas Saada

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Aaton Cameras, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Last Deadly Mission | ShotOnWhat?

Digital Artist

The Last Deadly Mission (2008)

Directed by: Olivier Marchal

Cinematography by: Denis Rouden

Edited by: Raphaele Urtin

Disco | ShotOnWhat?

Digital Artist

Disco (2008)

Directed by: Fabien Onteniente

Cinematography by: Jean-Marie Dreujou

Edited by: Nathalie Langlade, Laurent Rouan

Pars vite et reviens tard | ShotOnWhat?

Digital Artist

Pars vite et reviens tard (2007)

Directed by: Régis Wargnier

Cinematography by: Laurent Dailland

Edited by: Yann Malcor

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Tell No One | ShotOnWhat?

Digital Effects Artist

Tell No One (2006)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

O Jerusalem | ShotOnWhat?

Digital Artist

O Jerusalem (2006)

Directed by: Élie Chouraqui

Cinematography by: Giovanni Fiore Coltellacci

36th Precinct | ShotOnWhat?

Graphics 3D

36th Precinct (2004)

Directed by: Olivier Marchal

Cinematography by: Denis Rouden

Edited by: Hugues Darmois

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

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