Re-recording Mixer / Sound Designer / Supervising Sound Editor
Kubo and the Two Strings (2016)
Directed by: Travis Knight
Cinematography by: Frank Passingham
Edited by: Christopher Murrie
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Re-recording Mixer / Sound Designer / Supervising Sound Editor - 6 Episodes, 2015
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Re-recording Mixer / Sound Designer / Supervising Sound Editor
'Into the Badlands' Chapter VI: Hand of Five Poisons (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Re-recording Mixer / Sound Designer / Supervising Sound Editor
'Into the Badlands' Chapter V: Snake Creeps Down (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Re-recording Mixer / Sound Designer / Supervising Sound Editor
'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Re-recording Mixer / Sound Designer / Supervising Sound Editor
'Into the Badlands' Chapter III: White Stork Spreads Wings (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Re-recording Mixer / Sound Designer / Supervising Sound Editor
'Into the Badlands' Chapter II: Fist Like a Bullet (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Re-recording Mixer / Sound Designer / Supervising Sound Editor
'Into the Badlands' Chapter I: The Fort (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Vikash Patel
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Vow (2012)
Directed by: Michael Sucsy
Cinematography by: Rogier Stoffers
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Justin Bieber: Never Say Never (2011)
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Cop Out (2010)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Hangover (2009)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Love Guru (2008)
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Sound Designer / Supervising Sound Editor
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Sound Designer / Supervising Sound Editor / Supervising Sound Mixer
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Re-recording Mixer / Sound Designer / Supervising Sound Mixer
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Sound Designer & Supervising Sound Editor / Supervising Sound Editor
Spirit: Stallion of the Cimarron (2002)
Sound Designer / Supervising Sound Editor
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Re-recording Mixer / Sound Designer
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Sound Designer / Supervising Sound Editor
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Re-recording Mixer
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Sound Designer
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Re-recording Mixer
Scream 3 (2000)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Re-recording Mixer / Sound
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Sound Designer / Sound Supervisor
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Sound Designer / Supervising Sound Editor
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer / Supervising Sound Editor
Money Talks (1997)
Directed by: Brett Ratner
Edited by: Mark Helfrich
Sound Designer / Supervising Sound Editor
Mr. Magoo (1997)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Telling Lies in America (1997)
Directed by: Guy Ferland
Cinematography by: Reynaldo Villalobos
Edited by: Jill Savitt
Sound Designer / Supervising Sound Editor
Diabolique (1996)
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Sound Designer / Supervising Sound Editor
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer: Skywalker Sound / Supervising Sound Editor: Skywalker Sound
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Sound Supervisor
Waiting to Exhale (1995)
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
Sound Designer / Supervising Sound Editor
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Sound Designer / Supervising Sound Editor
Mr. Holland's Opus (1995)
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
Sound Designer / Supervising Sound Editor
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer, Supervising Sound Editor
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Sound Designer / Supervising Sound Editor
Sliver (1993)
Directed by: Phillip Noyce
Cinematography by: Vilmos Zsigmond
Sound Designer / Supervising Sound Editor
Free Willy (1993)
Directed by: Simon Wincer
Cinematography by: Robbie Greenberg
Edited by: O. Nicholas Brown
Sound Editor
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
The Mighty Ducks (1992)
Directed by: Stephen Herek
Cinematography by: Thomas Del Ruth
Sound Editor
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Sound Designer / Supervising Sound Editor
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Sound Editor
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Sound Effects Editor: Australia
Crocodile Dundee (1986)
Directed by: Peter Faiman
Cinematography by: Russell Boyd
Edited by: David Stiven
Sound Editor
The Quest (1985)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Brian Kavanagh
