Digital Imaging Technician / Video Control: Ikegami Camera, Dit / Video Control: Ikegami Camera
A Beautiful Day in the Neighborhood (2019)
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Dit: Splinter Unit
The Book of Henry (2017)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Dit Tandem Unit
'Limitless' Bezgranichnyy (2016)
Directed by: John Behring
Cinematography by: Jimmy Lindsey
Edited by: Jonathan Angus
Digital Imaging Technician: New York Unit
Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
Dit Tandem Unit
'Limitless' Close Encounters (2016)
Directed by: Maja Vrvilo
Cinematography by: Derick V. Underschultz
Edited by: Christopher S. Capp
Dit Tandem Unit
'Limitless' Hi, My Name Is Rebecca Harris (2016)
Directed by: Holly Dale
Cinematography by: Jimmy Lindsey
Edited by: Christopher S. Capp
Dit Tandem Unit
'Limitless' Finale: Part One! (2016)
Directed by: Paul A. Edwards
Cinematography by: Robert Gantz
Edited by: Jonathan Angus
Dit
'Limitless' Finale: Part Two!! (2016)
Directed by: Douglas Aarniokoski
Cinematography by: Jimmy Lindsey
Dit Tandem Unit / Dit - 6 Episodes, 2016
Limitless (2015)
Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo
Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela
Digital Imaging Technician
'White Collar' Diamond Exchange (2014)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Kevin Krasny
Digital Imaging Technician
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Digital Imaging Technician
'White Collar' Taking Stock (2014)
Directed by: Tim DeKay
Cinematography by: Robert Gantz
Edited by: Justin Krohn
Digital Imaging Technician
'White Collar' Shot Through the Heart (2014)
Directed by: Doug Hannah
Cinematography by: Robert Gantz
Digital Imaging Technician
'White Collar' Live Feed (2014)
Directed by: John T. Kretchmer
Cinematography by: Robert Gantz
Edited by: Jon Dudkowski
Digital Imaging Technician
'White Collar' Ice Breaker (2013)
Directed by: Eric Stoltz
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' Family Business (2013)
Directed by: Paul Holahan
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' Brass Tacks (2013)
Directed by: Anton Cropper
Cinematography by: Robert Gantz
Edited by: Michael Schweitzer
Digital Imaging Technician
'White Collar' Empire City (2013)
Directed by: Tim DeKay
Cinematography by: Robert Gantz
Edited by: Doug Hannah
Digital Imaging Technician
'White Collar' Shoot the Moon (2013)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' The Original (2013)
Directed by: John T. Kretchmer
Cinematography by: Robert Gantz
Edited by: Michael Stern
Digital Imaging Technician
'White Collar' In the Wind (2013)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Doug Hannah
Digital Imaging Technician
'White Collar' At What Price (2013)
Directed by: Stefan Schwartz
Cinematography by: Robert Gantz
Digital Imaging Technician
'White Collar' Digging Deeper (2013)
Directed by: Sanford Bookstaver
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' Quantico Closure (2013)
Directed by: Willie Garson
Cinematography by: Robert Gantz
Edited by: Jon Dudkowski
Digital Imaging Technician
'White Collar' Master Plan (2013)
Directed by: Jeff King
Cinematography by: Robert Gantz
Edited by: Hibah Schweitzer
Digital Imaging Technician
'White Collar' Controlling Interest (2013)
Directed by: Kevin Bray
Cinematography by: Robert Gantz
Edited by: Jon Dudkowski
Digital Imaging Technician
'White Collar' One Last Stakeout (2013)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Doug Hannah
Digital Imaging Technician
'White Collar' Out of the Frying Pan (2013)
Directed by: Roger Kumble
Cinematography by: Robert Gantz
Edited by: Jon Dudkowski
Digital Imaging Technician: VFX Unit
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Digital Imaging Technician
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Digital Imaging Technician
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Digital Imaging Technician
'White Collar' No Good Deed (2013)
Directed by: Charlotte Sieling
Cinematography by: Robert Gantz
Edited by: Justin Krohn
Digital Imaging Technician
'White Collar' Parting Shots (2012)
Directed by: Robert Duncan McNeill
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' Honor Among Thieves (2012)
Directed by: Arlene Sanford
Cinematography by: Robert Gantz
Edited by: Michael Schweitzer
Digital Imaging Technician
'White Collar' Diminishing Returns (2012)
Directed by: Stefan Schwartz
Cinematography by: Robert Gantz
Edited by: Hibah Schweitzer
Digital Imaging Technician
'White Collar' Most Wanted (2012)
Directed by: Paul Holahan
Cinematography by: Joel Ransom
Edited by: Michael Schweitzer
Digital Imaging Technician
'White Collar' Wanted (2012)
Directed by: Paul Holahan
Cinematography by: Joel Ransom
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' Identity Crisis (2012)
Directed by: David Straiton
Cinematography by: Robert Gantz
Edited by: Hibah Schweitzer
Digital Imaging Technician
'Royal Pains' Hank and the Deep Blue Sea (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Thom Zimny
Digital Imaging Technician
'Royal Pains' Bottoms Up (2012)
Directed by: Tricia Brock
Cinematography by: Joe Collins
Edited by: Charles McClelland
Digital Imaging Technician
'Royal Pains' My Back to the Future (2012)
Directed by: Mark Feuerstein
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Digital Imaging Technician
'Royal Pains' Some Pig (2012)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Gary Levy
Digital Imaging Technician / Dit
'Royal Pains' A Farewell to Barnes (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Digital Imaging Technician
'White Collar' Compromising Positions (2012)
Directed by: Paul Holahan
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Digital Imaging Technician
'White Collar' Ancient History (2012)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Michael Schweitzer
Digital Imaging Technician
'White Collar' Gloves Off (2012)
Directed by: Renny Harlin
Cinematography by: Robert Gantz
Edited by: Hibah Schweitzer
Digital Imaging Technician
'White Collar' Vested Interest (2012)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Doug Hannah
Digital Imaging Technician: Second Unit
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Digital Imaging Technician
'Royal Pains' A Little Art, a Little Science (2011)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Digital Imaging Technician / Dit
'Royal Pains' Traffic (2011)
Directed by: Constantine Makris
Cinematography by: Joe Collins
Edited by: Charles McClelland
Digital Imaging Technician: B Unit
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Digital Imaging Technician
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Digital Imaging Technician
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Digital Imaging Technician
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Digital Imaging Technician / Dit
'Royal Pains' But There's a Catch (2011)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Gary Levy
Digital Imaging Technician / Dit
'Royal Pains' Rash Talk (2011)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Digital Imaging Technician / Dit
'Royal Pains' The Shaw/Hank Redemption (2011)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Digital Imaging Technician / Dit
'Royal Pains' A Man Called Grandpa (2011)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Digital Imaging Technician / Dit
'Royal Pains' An Apple a Day (2011)
Directed by: Don Scardino
Cinematography by: Joe Collins
Edited by: Gary Levy
Digital Imaging Technician / Dit
'Royal Pains' Ta Da For (2011)
Directed by: Ed Fraiman
Cinematography by: Joe Collins
Edited by: Charles McClelland
Digital Imaging Technician
'Royal Pains' Run, Hank, Run (2011)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Digital Imaging Technician
'Royal Pains' Me First (2011)
Directed by: Allison Liddi-Brown
Cinematography by: Joe Collins
Edited by: Gary Levy
Digital Imaging Technician: Second Unit
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Digital Imaging Technician
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Digital Imaging Technician
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Digital Imaging Technician / Dit - 16 Episodes, 2011-2012
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Digital Imaging Technician - 29 Episodes, 2012-2014
White Collar (2009)
Directed by: John T. Kretchmer, Russell Lee Fine, Paul Holahan, Michael Smith, Sanford Bookstaver, Kevin Bray, Dennie Gordon, David Straiton, Jeff King, Tim DeKay, Tricia Brock, Anton Cropper, Stefan Schwartz, Allan Arkush, Timothy Busfield, Bronwen Hughes, Phil Abraham, Ken Girotti, Tim Matheson, Vincent Misiano, Rosemary Rodriguez, Renny Harlin, Andrew McCarthy, Robert Duncan McNeill, Arlene Sanford, Willie Garson, Roger Kumble, Charlotte Sieling, Eric Stoltz, Doug Hannah, Martha Mitchell
Edited by: Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny
Cameras: Sony CineAlta F35 Camera
Digital Imaging Technician: New York
Reign Over Me (2007)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Imaging Engineer: HDTV
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Ultimatte Operator
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Key Video Engineer
Reversal of Fortune (1990)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Key Video Engineer
Blue Steel (1990)
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
Video Engineer
Last Exit to Brooklyn (1989)
Directed by: Uli Edel
Cinematography by: Stefan Czapsky
Edited by: Peter Przygodda
Engineer: Computer Display
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Location Video
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
