Re-recording Mixer
8-Bit Christmas (2021)
Directed by: Michael Dowse
Cinematography by: Samy Inayeh
Edited by: Trevor Ambrose
Sound Re-recording Assistant
Resident Evil: Welcome to Raccoon City (2021)
Directed by: Johannes Roberts
Cinematography by: Maxime Alexandre
Edited by: Dev Singh
Lenses: Hawk V-Lite Lenses
Sound Re-recording Assistant
On the Basis of Sex (2018)
Directed by: Mimi Leder
Cinematography by: Michael Grady
Edited by: Michelle Tesoro
Re-recording Mixer
Risen (2016)
Directed by: Kevin Reynolds
Cinematography by: Lorenzo Senatore
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Camera
Sound Re-recording Assistant
Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
Assistant Re-recording Mixer: Deluxe Toronto
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Pompeii (2014)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Re-recording Mixer
'Lost Girl' Those Who Wander (2013)
Directed by: Ron Murphy
Cinematography by: David Greene
Edited by: Paul G. Day
Sound Re-recording Assistant
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Sound Re-recording Mixer
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Re-recording Mixer
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Sound Re-recording Assistant
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Re-recording Mixer - 1 Episode, 2013
Lost Girl (2010)
Directed by: Steve DiMarco, Paolo Barzman, Ron Murphy, John Fawcett, Gail Harvey, Lee Rose, Robert Lieberman, David Greene, Paul Fox, Mairzee Almas, George Mihalka, Andy Mikita, Erik Canuel, Clark Johnson, Lynne Stopkewich, Michael DeCarlo, James Dunnison, Brett Sullivan, David Winning, Director X., Bruce McDonald
Edited by: Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Re-recording Mixer
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Re-recording Mixer
Casino Jack (2010)
Directed by: George Hickenlooper
Cinematography by: Adam Swica
Edited by: William Steinkamp
Re-recording Mixer
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Re-recording Mixer
Middle Men (2009)
Directed by: George Gallo
Cinematography by: Lukas Ettlin
Edited by: Malcolm Campbell
Re-recording Mixer
Sin Nombre (2009)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Re-recording Mixer
Saw V (2008)
Directed by: David Hackl
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Re-recording Mixer
The Burrowers (2008)
Directed by: J.T. Petty
Cinematography by: Phil Parmet
Cameras: Panavision Cameras
Re-recording Mixer
Repo! The Genetic Opera (2008)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Edited by: Harvey Rosenstock
Cameras: Panavision Genesis Camera
Re-recording Mixer
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Re-recording Assistant
YPF (2007)
Directed by: Martin Gero
Cinematography by: Arthur E. Cooper
Edited by: Mike Banas
Cameras: ARRIFLEX 16SR3 Camera
Re-recording Mixer
Redacted (2007)
Directed by: Brian De Palma
Cinematography by: Jonathon Cliff
Edited by: Bill Pankow
Re-recording Mixer
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Re-recording Mixer
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer: Deluxe
Saw III (2006)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Re-recording Mixer
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Re-recording Mixer
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Re-recording Mixer
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Re-recording Mixer
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Re-recording Mixer
Saw II (2005)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Re-recording Mixer
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Re-recording Mixer
Barely Legal (2003)
Directed by: David Mickey Evans
Cinematography by: John B. Aronson
Edited by: Harry Keramidas
Re-recording Mixer
Stolen Summer (2002)
Directed by: Pete Jones
Cinematography by: Peter Biagi
Edited by: Gregg Featherman
Sound Re-recording Assistant
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Sound Re-recording Operator
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Control Room Operator
Dusk Till Dawn 2: Texas Blood Money (1999)
Directed by: Scott Spiegel
Cinematography by: Philip Lee
Sound Mix Operator
Cube (1997)
Directed by: Vincenzo Natali
Cinematography by: Derek Rogers
Edited by: John Sanders
