Score Mixer / Score Recording Engineer
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Score Mixer / Score Recordist, Score Mixer And Score Recordist
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Score Mixer
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Score Mixer
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Score Mixer
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Score Mixer / Score Recordist
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Score Mixer
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Music Re-mixer
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Music Editor
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Music Mixer / Music Programmer / Music Recordist
I'll Be There (2003)
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Music Programmer
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Musician: Synthesizer / Score Recordist / Synthesizer Programmer, Synthesizer Programmer
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Music Mixer / Music Re-mixer: Original Songs / Music Recordist
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Synthesizer Programmer
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Score Mixer, Synthesizer Programmer
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Music Recordist, Synthesizer Engineer / Synthesizer Programmer
Lawn Dogs (1997)
Directed by: John Duigan
Cinematography by: Elliot Davis
Edited by: Humphrey Dixon
