Alan B. Curtiss

38 Titles

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Something Borrowed | ShotOnWhat?

First Assistant Director

Something Borrowed (2011)

Directed by: Luke Greenfield

Cinematography by: Charles Minsky

Edited by: John Axelrad

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Way Back | ShotOnWhat?

First Assistant Director

The Way Back (2010)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Love Ranch | ShotOnWhat?

First Assistant Director

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

First Sunday | ShotOnWhat?

First Assistant Director

First Sunday (2008)

Directed by: David E. Talbert

Cinematography by: Alan Caso

Edited by: Jeffrey Wolf

The Happening | ShotOnWhat?

First Assistant Director: Los Angeles

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

The Prestige | ShotOnWhat?

First Assistant Director

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Jarhead | ShotOnWhat?

First Assistant Director

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Christmas with the Kranks | ShotOnWhat?

Associate Producer, First Assistant Director

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

Master and Commander: The Far Side of the World | ShotOnWhat?

Executive Producer, First Assistant Director

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Dragonfly | ShotOnWhat?

Associate Producer, First Assistant Director

Dragonfly (2002)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Don Zimmerman

The Perfect Storm | ShotOnWhat?

Associate Producer, First Assistant Director

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Cast Away | ShotOnWhat?

First Assistant Director

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Green Mile | ShotOnWhat?

First Assistant Director

The Green Mile (1999)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

The Truman Show | ShotOnWhat?

First Assistant Director

The Truman Show (1998)

Directed by: Peter Weir

Cinematography by: Peter Biziou

Edited by: William M. Anderson, Lee Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

Patch Adams | ShotOnWhat?

Associate Producer, First Assistant Director

Patch Adams (1998)

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Devil's Own | ShotOnWhat?

First Assistant Director: Dublin

The Devil's Own (1997)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Tom Rolf, Dennis Virkler

As Good as It Gets | ShotOnWhat?

First Assistant Director

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Get Shorty | ShotOnWhat?

First Assistant Director

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Waterworld | ShotOnWhat?

First Assistant Director

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Clear and Present Danger | ShotOnWhat?

First Assistant Director

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Intersection | ShotOnWhat?

Associate Producer, First Assistant Director

Intersection (1994)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Mark Warner

Fearless | ShotOnWhat?

Associate Producer, First Assistant Director

Fearless (1993)

Directed by: Peter Weir

Cinematography by: Allen Daviau

Edited by: William M. Anderson, Armen Minasian, Lee Smith

Consenting Adults | ShotOnWhat?

First Assistant Director

Consenting Adults (1992)

Directed by: Alan J. Pakula

Cinematography by: Stephen Goldblatt

Edited by: Sam O'Steen

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

For Richer, for Poorer | ShotOnWhat?

First Assistant Director: Additional Photography

For Richer, for Poorer (1992)

Television Movie

Directed by: Jay Sandrich

Cinematography by: Arthur Albert

Edited by: Skip Schoolnik

For the Boys | ShotOnWhat?

First Assistant Director

For the Boys (1991)

Directed by: Mark Rydell

Cinematography by: Stephen Goldblatt

Edited by: Gerald B. Greenberg, Jere Huggins

Green Card | ShotOnWhat?

First Assistant Director

Green Card (1990)

Directed by: Peter Weir

Cinematography by: Geoffrey Simpson

Edited by: William M. Anderson

Taking Care of Business | ShotOnWhat?

First Assistant Director

Taking Care of Business (1990)

Directed by: Arthur Hiller

Cinematography by: David M. Walsh

Edited by: William Reynolds

Dead Poets Society | ShotOnWhat?

First Assistant Director

Dead Poets Society (1989)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: William M. Anderson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Harlem Nights | ShotOnWhat?

First Assistant Director

Harlem Nights (1989)

Directed by: Eddie Murphy

Cinematography by: Woody Omens

Edited by: Alan Balsam, George Bowers

Vibes | ShotOnWhat?

First Assistant Director

Vibes (1988)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Carol Littleton

My Stepmother Is an Alien | ShotOnWhat?

First Assistant Director

My Stepmother Is an Alien (1988)

Directed by: Richard Benjamin

Cinematography by: Richard H. Kline

Edited by: Jacqueline Cambas

The Presidio | ShotOnWhat?

First Assistant Director

The Presidio (1988)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Diane Adler, Beau Barthel, James Mitchell

Clue | ShotOnWhat?

Second Assistant Director

Clue (1985)

Directed by: Jonathan Lynn

Cinematography by: Victor J. Kemper

Edited by: David Bretherton, Richard Haines

The Man with One Red Shoe | ShotOnWhat?

Second Assistant Director

The Man with One Red Shoe (1985)

Directed by: Stan Dragoti

Cinematography by: Richard H. Kline

Edited by: O. Nicholas Brown, Bud Molin

Cameras: Panavision Cameras

The Lonely Guy | ShotOnWhat?

Second Assistant Director

The Lonely Guy (1984)

Directed by: Arthur Hiller

Cinematography by: Victor J. Kemper

Edited by: Raja Gosnell, William Reynolds

2010 | ShotOnWhat?

Second Assistant Director

2010: The Year We Make Contact (1984)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Mia Goldman, James Mitchell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Cloak & Dagger | ShotOnWhat?

Second Assistant Director

Cloak & Dagger (1984)

Directed by: Richard Franklin

Cinematography by: Victor J. Kemper

Edited by: Andrew London

Romantic Comedy | ShotOnWhat?

Second Assistant Director

Romantic Comedy (1983)

Directed by: Arthur Hiller

Cinematography by: David M. Walsh

Edited by: John C. Howard

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