Andrew Rowe

20 Titles

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The Legend of Tarzan | ShotOnWhat?

1st Assistant Sound: Additional Photography

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Eddie the Eagle | ShotOnWhat?

1st Assistant Sound

Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

First Assistant Sound: Additional Photography, Dailies

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Paddington | ShotOnWhat?

1st Assistant Sound - Additional Photography - Dailies

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

Kick-Ass 2 | ShotOnWhat?

Boom Operator: Second Unit

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Trance | ShotOnWhat?

Boom Operator: Additional Photography

Trance (2013)

Directed by: Danny Boyle

Cinematography by: Anthony Dod Mantle

Edited by: Jon Harris

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera

Lenses: ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Les Misérables | ShotOnWhat?

Sound And Music Assistant

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Comes a Bright Day | ShotOnWhat?

Boom Operator

Comes a Bright Day (2012)

Directed by: Simon Aboud

Cinematography by: John Lynch

Edited by: Gavin Buckley

Cameras: ARRI ALEXA Camera

Now Is Good | ShotOnWhat?

Second Boom

Now Is Good (2012)

Directed by: Ol Parker

Cinematography by: Erik Wilson

Edited by: Peter Lambert

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Boom Operator: Second Unit

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

4.3.2.1. | ShotOnWhat?

Sound

4.3.2.1. (2010)

Directed by: Noel Clarke, Mark Davis

Cinematography by: Franco Pezzino

Edited by: Mark Davis, Mark Everson

Green Zone | ShotOnWhat?

Boom Operator: Second Unit

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Doghouse | ShotOnWhat?

Boom Operator

Doghouse (2009)

Directed by: Jake West

Cinematography by: Ali Asad

Edited by: Jake West

RocknRolla | ShotOnWhat?

Sound Assistant

RocknRolla (2008)

Directed by: Guy Ritchie

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: ARRIFLEX D-20 Camera

Franklyn | ShotOnWhat?

Sound Assistant

Franklyn (2008)

Directed by: Gerald McMorrow

Cinematography by: Ben Davis

Edited by: Peter Christelis

The Walker | ShotOnWhat?

Second Boom Operator

The Walker (2007)

Directed by: Paul Schrader

Cinematography by: Chris Seager

Edited by: Julian Rodd

Cameras: ARRI Cameras

28 Weeks Later | ShotOnWhat?

Assistant Sound: Second Unit

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Stardust | ShotOnWhat?

Sound Assistant: Second Unit

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

The Christmas Miracle of Jonathan Toomey | ShotOnWhat?

Sound Assistant

The Christmas Miracle of Jonathan Toomey (2007)

Directed by: Bill Clark

Cinematography by: Emmanuel Kadosh

Edited by: David Freeman

Penelope | ShotOnWhat?

Sound Assistant

Penelope (2006)

Directed by: Mark Palansky

Cinematography by: Michel Amathieu

Edited by: Jon Gregory

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